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New York police officer Ralph Sarchie (Eric Bana), struggling with his own personal issues, begins investigating a series of disturbing and inexplicable crimes. He joins forces with an unconventional priest (Edgar Ramirez), schooled in the rituals of exorcism, to combat the frightening and demonic possessions that are terrorizing their city. Based upon the book, which details Sarchie's bone-chilling real-life cases. (Screen Gems)

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Reviews (10)

Malarkey 

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English If it weren’t for the authors pushing the horror elements, I’d even rate it with all five stars. But not only were the occasional jump-scares cheesy, they were also pointless. They were just there to try and create a distinguished atmosphere that the movie already had without them. And that was mostly due to the great combination of story and atmosphere which was definitely inspired by the legendary movie Seven. But after I watched the movie, I was shocked by the fact that it was – once again – based on true events. I can’t help but think that I haven’t seen a familiar story in the news or heard someone speak about a similar experience. It’s always introduced by these sorts of horrors that try to assure us that all that exorcism is based on true events. Isn’t the actual truth going to be a little different? Or maybe it’s a ploy to support the Church? And Eric Bana was great in this, but the authors could have done without the final scene. ()

Isherwood 

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English As the lightning struck a lone tree by the roadside, I began to suspect where the director's path would lead. This is because Derrickson's undoubted talent was given a financial infusion and bigger-name actors, but in doing so, he signed up for the Bruckheimerian devil that relies on clichés and plot banalities in the plot. In fact, it’s not really pulled off even by the few skillfully-conceived scary scenes and instead makes you lament how dysfunctional the chemistry between the characters is. This makes it subjectively about half an hour longer, and slightly more excruciating in the end than the filmmakers intended. ()

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Necrotongue 

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English Well done! A horror film that is watchable and enjoyable, unlike all that weird mainstream stuff. The film builds on a good story and cast and is filled with a perfectly grim atmosphere from the start. I was going to give it five stars, but I was put off by the ending. From the rescue of the wife and daughter until the closing credits, it turned into a very unpleasant surprise and even disappointment. The screenwriter is not to blame, he couldn't have come up with a different ending, as the film was based on true events... ()

DaViD´82 

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English One day, Catholic cop Sarchie got blind drunk and had a fit at the jukebox playing The Doors. And now there’s a humorous police crime buddy exorcist horror “inspired by true events" where, thanks to the width of the genre, you don’t get clichés you’ve seen a hundred times over from just one or two, but from three genres at once. So situations arise where separate clichés meet in clashing combinations and create something completely new, often bizarre or downright ridiculous, but always (however unintentionally) entertaining. If only it could decide what it wants to be, if it were shorter, if only it didn’t run off naively into ridiculous situations (welcome to the tomb with the twisting Morrison or the furry owl) if only the frights weren’t so cheap and pre-warned, if only Ramírez had at least a pinch of charisma, if only McHale weren’t Jeff from Community, if only this, if only that, this could have been good, very good. Unfortunately, there are too many “if only"s for one picture. ()

lamps 

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English The only problem with Derrickson's film is that it presents exactly the type of horror that any experienced viewer is currently oversaturated with: ghosts, strange noises under the bed, a peculiar priest, exorcisms. This template is so tired that despite the director's enormous skill, which holds the viewer's attention throughout and searches for themes beyond all James Wan's ghost stories, the film doesn't have much chance to break through. Big plus points just for pushing an interesting detective storyline, for the music by The Doors, and for Eric Bana, who's still got it. But even that is not enough to satisfy me this time... 70% ()

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