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April, 1945. As the Allies make their final push in the European Theatre, a battle-hardened army sergeant named Wardaddy (Brad Pitt) commands a Sherman tank and her five-man crew on a deadly mission behind enemy lines. Outnumbered and outgunned, Wardaddy and his men face overwhelming odds in their heroic attempts to strike at the heart of Nazi Germany. (Sony Pictures)

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Reviews (13)

Malarkey 

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English I’d been looking forward to Fury for a long time. I’d been looking forward to this new movie by David Ayer, whose movies have convinced me what a good director he is and that we will be remembering him in the future. No movies have been made on WW2 in a long time, so I didn’t hesitate and headed out to the cinema. For an hour and a half, I got to enjoy one of the rawest WW2 movies in the past twenty years. I especially liked the ideas with the individual shots, which surprised me in Band of Brothers or in the ancient Russian movie Come and See. One shot was enough to make you feel sick. And it didn’t even involve anything too bloody. From this perspective, the movie aced it. However, a problem occurs at the end, which Brad Pitt decides to handle in his own way – in a stupid and illogical way that makes the movie end exactly the way I thought it would. The ending is heroic and very American, which pissed me off and the movie fell from five stars to four. And if it weren’t for the really good first half, it would have dropped even lower. It would’ve been best if the director had cut the movie 35 minutes shorter. ()

novoten 

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English Attempting to make a Tank Patrol into a living monument to the soldiers of World War II is a lot to promise, but it falls apart when David Ayer's genres start clashing with each other. I would believe both in the invincible crew of the Fury and in tears during drunken confessions, but once these moods meet and regularly alternate, it's over. And it's a shame because Brad Pitt and Logan Lerman can effortlessly develop any smallest supporting storyline to the edge. ()

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3DD!3 

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English A really view on war through the perspective of an armored box on tracks. Ayer filmed a unique war movie where any hopes are trodden into the mud and victory just means the chance to fight another battle. No outlook for survival, no promise of a home. All tankers have long deserved such a raw, real and pure picture. Most often it’s the air force and infantry who receive praise, tanks are all too easily forgotten. Not anymore. Pitt’s Wardaddy isn’t a variation on a Tarantino-like Alda, quite the opposite. A crushed man, missing civilization, but gave it up for the good of his crew, an able commander who has been fighting too long. The whole crew is a good crew. Bernthal’s hick animal, the hated Grady, eventually turns out to be a good man in the closing moments. The grubby Shia is surprisingly adult, quotes from the Bible with such verve that he began to believe it himself. And now the main thing - hero, greenhorn Logan Lerman, one time funny kid is becoming a man and a regular killing machine in Ayer and Wardaddy’s care. As his gains respect with his crew, he gains it with the viewer, too. The entire father-son storyline works excellently and in that sewer of a war it’s the only thing to hold on to. I supported them to the last moment, I was in the tank with them and every hit, every jolt cuts you to the quick. If you read any war books when you were young and your eyes were drawn to those green monsters like Fury, this is a movie for you. Here am I, send me! ()

Lima 

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English Half an hour before the end, I was still convinced of a five-star rating, because such a realistically dirty, unkempt war film had been missing for a long time. Add to that the production values of fantastic sets, Pitt being the walking embodiment of charisma, and the lunch at the German woman and her daughter's house scene, which I consider one of the best movie scenes of last year. But then came a hardly acceptable scene, which even the Soviets at the time of masterpieces like Liberation would not have liked in terms of exaggeration and heroism. Ayer just got carried away and the whole great impression went down the drain, or into the mud of a tank belt trail, of which the film is full. ()

Zíza 

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English Sure, it's awfully heroic, but in terms of the dirt, mud, and music used, the guys do a good job. Plus, I was surprised at how much Shia has matured as an actor. It's not a bad movie, but if you've seen more than ten war movies, you won't be impressed. Still, an enjoyable watch, with funny and powerful scenes (we're at war, there pretty much have to be those kinds of scenes). It all has one big but, which is not without a [SPOILER]. They actually had to put a smiling Nazi in there who just got half his unit slaughtered and he's really just: "Hey, bro, you all were so cool I’ll probably let you live. Okay? So, see ya." Seriously? A weaker 4 stars (like it was said, out of mercy). ()

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