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April, 1945. As the Allies make their final push in the European Theatre, a battle-hardened army sergeant named Wardaddy (Brad Pitt) commands a Sherman tank and her five-man crew on a deadly mission behind enemy lines. Outnumbered and outgunned, Wardaddy and his men face overwhelming odds in their heroic attempts to strike at the heart of Nazi Germany. (Sony Pictures)

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Reviews (13)

POMO 

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English Fury is an action-packed blockbuster about an American tank crew slaying SS men in Germany in the Second World War. Brad Pitt is the only one of the crew who washes himself in a private moment, shows off the muscles acquired at LA Fitness and, even after a year of masturbating in an iron cockpit, does not f*ck the German girl (who wouldn’t be against it) because that would be unethical. The point of the film: Not all SS men were bad. The third Expendables should have taken place here, with a less straight face. ()

novoten 

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English Attempting to make a Tank Patrol into a living monument to the soldiers of World War II is a lot to promise, but it falls apart when David Ayer's genres start clashing with each other. I would believe both in the invincible crew of the Fury and in tears during drunken confessions, but once these moods meet and regularly alternate, it's over. And it's a shame because Brad Pitt and Logan Lerman can effortlessly develop any smallest supporting storyline to the edge. ()

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Kaka 

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English Ayer is equally suggestive and raw in WWII as in his modern police escapades, only this time he doesn’t rely on CGI but goes nicely the old-fashioned way. This is a clearly outlined film, striking, and not pretending to be anything more than it is. It’s a solid psychological barrage with performances. There are plenty of emotions and the atmosphere and visuals are superb. Some of the dialogue passages marginally resemble Tarantino's standards, and the rest is nothing more than honest filmmaking with plenty of dirt, rotten teeth, and blown-off limbs. It's a shame about the overly grand finale, which is mandatory, but doesn't fit at all considering the film's concept. ()

Lima 

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English Half an hour before the end, I was still convinced of a five-star rating, because such a realistically dirty, unkempt war film had been missing for a long time. Add to that the production values of fantastic sets, Pitt being the walking embodiment of charisma, and the lunch at the German woman and her daughter's house scene, which I consider one of the best movie scenes of last year. But then came a hardly acceptable scene, which even the Soviets at the time of masterpieces like Liberation would not have liked in terms of exaggeration and heroism. Ayer just got carried away and the whole great impression went down the drain, or into the mud of a tank belt trail, of which the film is full. ()

Zíza 

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English Sure, it's awfully heroic, but in terms of the dirt, mud, and music used, the guys do a good job. Plus, I was surprised at how much Shia has matured as an actor. It's not a bad movie, but if you've seen more than ten war movies, you won't be impressed. Still, an enjoyable watch, with funny and powerful scenes (we're at war, there pretty much have to be those kinds of scenes). It all has one big but, which is not without a [SPOILER]. They actually had to put a smiling Nazi in there who just got half his unit slaughtered and he's really just: "Hey, bro, you all were so cool I’ll probably let you live. Okay? So, see ya." Seriously? A weaker 4 stars (like it was said, out of mercy). ()

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