Batman v Superman: Dawn of Justice

A film so dark that you can’t see anything in most of the actions scenes, and to such extent that it looks as if the cinema was showing a low quality bootleg. The long expected duel between two of the most famous comic book characters unfortunately ends up in a rather uneventful scene (I counted only one interesting moment) where Batman and Superman beat the crap out of each other, only for their conflict to end with an incredibly cheap script cop-out so they can fight together some sort of big-eyed, digital extraterrestrial monkey, created in a weird way for weird reasons (the motivations of the lead villain, hello? Are you there?). Incidentally, you have to wait an ungodly long time for any action to happen, and when it finally happens, either you can’t see anything (as I’ve already said), or it is a confusing digital mess where lightning flashes around the aforementioned monkey, explosions are followed by explosions, and the experience equals zero. And on top of that, Lois Lane gives the right answer to a question form Batman she didn’t hear, or throws a spear into the water so she can dive for it later and almost die, without any dialogue that would reveal its importance or enough information to allow her to figure it out for herself. Disappointment. Probably the only positive thing in the end was Affleck as a grumpy Batman, I would love to see him in another film. PS: I gave Man of Steel 5*) (03/23/2016)

Except for the fact that for the first hour they talk with the attention and style as if someone ate the Bible and drank it down with horse sedatives, except that for almost two hours one tries to understand why those two hate each other so much that in a few seconds they began to love each other, except that almost all dynamic shifts are done by gossip and dream sequences, except that the motivation and actions of the characters follow the logic of the perverted screenwriting god of lobotomy, except that it (again) does not have full-fledged characters, but only square voices, except that Jesse Eisenberg plays a very low-cost version of Heath Ledger, except... what did I want? I don't know anymore. Actually, I do. Nice pictures for comic fanboys and excellent directing of contact events. I think. I have a dull feeling that Man of Steel pissed me off more than this Dawn of Randomness. If DC has chosen to make their films as a genetic conglomeration of highly comic stylization and very rhetorical references to serious topics, they are going to have to find a director who will be able to keep it all together. But it's not Snyder, especially when he is working with a screenplay that is more like a set of unrelated ideas for further elaboration. (03/24/2016)

Fans would see this as the best sex of their lives, but for casual viewers it might be a hard pill to swallow. Christopher Nolan’s Batman anchored in reality was replaced by Zack Snyder's expansive comic universe. Because of the number of characters and even more motivations, this would require a slower pace and an even longer runtime. Yet it remains an immersive experience, with familiar music from Man of Steel (there is no trace of the motifs from Nolan’s Batman trilogy). In the last third, the demands on the viewer’s attention decrease and we’re in for a nerdy climax. I enjoyed the linking to Man of Steel at the beginning. Ben Affleck’s performance is okay. (03/23/2016)

Reading all the nerd theories and analyses of how far Snyder's vision actually reaches is fine. It clarifies a lot and provides the opportunity to look forward to the DC version, but on the other hand, it indicates the fact that it doesn't give a damn about the average viewer because if you don't get on the geek bandwagon, those characters without proper motivations will eventually beat you to death in 2.5 hours. The digital finale is fine. But the futile relationship with the (foster) mothers? Not so much. PS: This is the most boring music from Zimmer in 15 years. PPS: In the Ultimate version, I especially appreciate Jena Malone's 20 seconds, which paradoxically adds a more meaningful dimension to Lois Lane. The rest of it is rather subtle directional cues for viewers to clarify motivations, but there is no epic sweep. It’s just a more sweeping comic book movie that wants to set a more mature tone with its Nolan-esque bleakness but gets too overwhelmed with unnecessary visual gluttony and is stripped of perspective. (03/31/2016)

Not as good as I hoped, not as bad as I feared. Excellently acting by the main heroic trio, awfully bad villains. A screenplay full of holes with illogical motivations. The action digital - as you would expect - but pretty good, even so. It should have been a little slower. The movie wants to say and show an awful lot of things. Not that today’s comic books aren’t overfull too. The intro with Affleck’s Wayne is awesome. (03/23/2016)