Predestination

The timing remains on a minimalist plane for an incredibly long time. It plays on dialogues, the power of the gaze, and Sarah Snook's fascinating performance. And given how Ethan Hawke revels in conversations, the rest of the running time logically begins to flag despite its unrelenting tension. Which doesn't matter as much as it might seem – of course, only if the viewer is able to engage in the game the screenplay presents. Many betrayals can be sensed from the opening scene, but the barrage of twists that Michael and Peter Spierig start throwing in towards the end truly takes your breath away. Perhaps the next viewing will reveal if this predestined violin case is really an all-encompassing appetizer that pleasantly unsettles with its blend of unconventional romance, uncompromising sci-fi, and unusual editing – or if it gets tangled up in the constantly escalating series of plot twists. (01/06/2015)

An irresistibly sexy flick during which I felt extreme anticipation for a carefully concealed and emotional point that would further confirm its cleverness. Instead, however, it becomes an endless loop in which everything possible is overwrought and it thus remains “only” a sexy flick that’s nicely paced and spectacularly shot with an interesting story. (01/19/2024)

A sci-fi story full of temporal paradoxes, whose highlight is the first half marked by a retrospective narrative of an extraordinary human destiny. If the whole film were as gripping and atmospheric as this opening passage, which gave me pleasant chills just by the beautifully matched shots of the faces of the two discussing characters, it would be an absolute and unprecedented hit. But the last thirty minutes not only made my head too muddled with all the time shifts, but also completely disrupted the existing harmony of the narrative, which up until then had made me purr with unconcealed bliss. It's as if the Spierigs wanted to convey an awful lot, but while I bought and believed it at the beginning, by the end I was barely listening. Great shame. 70% (07/08/2015)

Sitting at the bar with a shorter haircut telling her story, Sarah Snook looks like a young DiCaprio in the 'pre-Titanic' era, and not only does she look it, she gives a similarly fantastic performance. The entire first hour, its narrative, offers one of the most interesting passages the film world has delivered in the last year. Unfortunately, though, when the cards are laid on the table, the only thing left to play with are the temporal paradoxes so beautifully parodied in the Back to the Future trilogy. It's a great shame because a lot of potential was wasted. (01/05/2015)

Excellently directed time travel movie with more twist than a corkscrew. The cast is fairly unknown, Sarah Snook was an ingenious idea. A picture that stays one step in front of you, even if you believe that it isn’t. If possible, don’t try to find anything out about this movie. Don’t even read the summary. What came first? The chicken or the egg? (01/11/2015)