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Jennifer Lawrence and Chris Pratt are two passengers onboard a spaceship transporting them to a new life on another planet. The trip takes a deadly turn when their hibernation pods mysteriously wake them 90 years before they reach their destination. As Jim and Aurora try to unravel the mystery behind the malfunction, they begin to fall for each other, unable to deny their intense attraction... only to be threatened by the imminent collapse of the ship and the discovery of the truth behind why they woke up. (Sony Pictures)

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Reviews (14)

Malarkey 

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English Jennifer Lawrence and Chris Pratt are showing prime acting talent in this movie. On the other hand, there are also Laurence Fishbourne and Michael Sheen who could strike your fancy. It’s basically a pretty intimate sci-fi that’s enticing exactly because of this intimacy. Personally, I was very pleased. Technically precise, brilliant as far as the actors go. The question is: what about the director’s take on this? I hear that that the ending wasn’t for everyone, but I liked it. As for me, I was satisfied and happy for each and every new sci-fi that catches the general public’s interest. Especially when it’s as high-quality as this one. ()

3DD!3 

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English A textbook sci-fi romance. A-grade actors, decent effects and if at the end the screenplay hadn’t begun freewheeling so unoriginally, the movie could have been excellent. In retrospect I’m disappointed that I had already learned of a fundamental twist (from the time when Keanu Reaves was meant to play Jim) which the trailers sensibly kept secret. P.S: Andy Garcia appears for precisely three seconds. ()

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gudaulin 

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English Sci-fi has a tough time, all too often serving only as an exotic background for other genres. Frequently, you end up watching horror, crime, or action films in a futuristic disguise. Passengers presents a purebred romance set in a giant spaceship to bring it to life. If you approach the film as a drama, an adventure story, or, God forbid, start contemplating the logic of the displayed microcosm of a spaceship with elegant promenades, pools, and luxury attractions, you will not be able to avoid disappointment and condemnation. Passengers is an ideal complement for an evening with your loved one, holding a glass of wine in one hand and embracing your partner with the other. It is a pleasant film that is easy to forgive for its certain naivety and script shortcuts steering the story in the desired direction. I have never given a film in which Jennifer Lawrence was involved more than two stars, and as I look at her filmography, I find significantly more candidates for rubbish than promising pieces among those I have yet to see. I will thus accommodate the poor girl and give it four stars and an overall impression of 75%. As a bonus, the interesting design of the spaceship and its interiors also earn the film points. In terms of what sci-fi is commonly abused for, this is a very positive example... ()

POMO 

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English Passengers is a nicely done “exciting sci-fi romance” for which the most important thing is that the color of the costumes matches the eyes of the central duo. The set designs and visuals were inspired by everything from 2001 (the ship’s interiors) to Gravity (flying outside of the ship), while adding a nice idea with a zero-gravity pool. It’s a pleasant movie for the target audience of The Hunger Games. However, only about 30% of the hugely promising premise was actually used. I’d like to see this made by Inárritu or a young Ridley ()

Stanislaus 

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English In a way, Passengers could be conceived as a futuristic version of the Titanic, with an Overlook bartender on board, plus the modern equivalent of Sleeping Beauty starring a technician from below deck, a first-class intellectual and a giant ship with 5,000 passengers in fatal peril. The film impresses above all with its appealing visuals and the grounded performances of Chris Pratt and Jennifer Lawrence. In addition to the visionary notion of planetary habitation, the film invites us to reflect on the question of human behaviour (a drowning man grasping at straws) and the helplessness of omnipotent technology in a state of emergency (where machines fail, good old human hands come to the rescue). I believe that even more could have been extracted from the subject matter, but I was still satisfied with the final product. ()

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