In the Heart of the Sea

Personally, I really like visually spectacular films that take place at sea (e.g. Titanic and Life of Pi), so I was really looking forward to In the Heart of the Sea and I am definitely not disappointed. The film effectively blends two timelines to form a nice and consistent whole. What was actually behind the birth of one of America's most famous novels? Where does truth end and fiction begin? The film doesn't lack both decent technical execution and a well-chosen cast, plus it all stands on a good premise. In short, a film that is definitely worth seeing in the cinema to properly enjoy all the aforementioned qualities. (01/30/2016)

A digital sea, a famously moving camera, and useless protagonists. Howard's confident dexterity handles things for the first half, but the second half, when the waves calm down, is accompanied by his traditional pain - zero passion. The characters speak from behind fake beards and swollen lips, but there’s really no emotion to it. Fail. 2 and a ½. PS: The digi visual is the ultimate cornea-burning bullshit. (03/04/2016)

Ron Howard delivers an unexpectedly gritty survival drama with memorable scenes. A decently thought out story, an excellent Chris Hemsworth, a captivating demonic whale, solid visuals, working emotions and a decent dramatic line between the captain and the first officer are all here. There are a few uncomfortable scenes that are also a delight. The second half is already more tedious compared to the first, but I still have positive feelings about the film. The sea is cruel! 75% (12/13/2015)

What is a letdown for me is that "story-telling" line provides disproportionately more interesting characters (and also actors) than the "narrative" line where only shallow characters show up. And while Hemsworth carries the movies, at least because of his charisma, Walker doesn't. What is an even a bigger letdown is that it is often so obviously digital. There are not so many movies where it is so obvious that the actors are standing in front of a green screen in the studio, and all the rising waves and sea vermin are added subsequently. But even this can be done in such a way that you will not know it, but this is not the case. This is highlighted by the fact that, with a few exceptions, the camera zooms in on the actors’s faces and bodies in these scenes, which is rather unusual. Fortunately, there aren't that many these scenes, and as soon as it takes place in classic interiors and locations, it suddenly works much better. And why did I use a word letdown when talking about these two shortcomings? Because otherwise it's true classic (maybe too much though) manly old school maritime adventure movie about survival. (12/04/2015)

Ron Howard makes great movies and average movies, and this one falls into the second category. I was particularly struck by how uninteresting the ocean scenes were and how they lacked atmosphere, as these were supposed to be the main attraction. Either they were blatantly digital, so much so that the special effects were reminiscent of a rear projection, and they were also uncomfortably strangely colored, or the characters were supposed to recite dramatic replicas during them, but instead they spewed out of their mouths phrases heard hundred times over. And I just waited for what would come next and how or when it would end. Another negative is the casting of Benjamin Walker, who was not good enough for the role of captain and who Chris Hemsworth was much better than without even trying, and the fact that the great Cillian Murphy got only a supporting role. A pity. (03/21/2021)