The Conjuring 2

Camera looks left – nothing. Camera looks right – nothing either. Camera looks left again – still nothing, so it looks right again – nothing. Something falls from above. INNOVATION!!! Wan really tries his hardest, and his smooth sailing of the camera through the house at atypical angles keeps the boredom-bar still somehow hovering around average, but you can't win if your story is as worn out as the socks of a child with cerebral palsy. I like him better when he's filming footage of Paul Walker's funeral than when he's chasing a pissed-off nun around the house. Farmiga and Wilson aspire to be the whitest, straightest couple ever to grace the movie screen. (09/30/2016)

What do we have here? Two solid jump-scares, but otherwise it's a compilation of the most overused horror tropes and techniques we've seen in dozens of other genre-related films, and the 1970s horror films Wan refers to did it better. On top of that, there's a script that's just stupid, to the point of slamming the door louder than the ghost could. In the first half, Wan is still coaching with ease, but the second half is just a festival of stupidity and ineptitude. During some scenes, like the interrogation of the ghost ergo the girl with a mouthful of water, I felt ashamed of the filmmakers. But I won’t condemn Wan, he still knows how to polish a turd, like in the excellent prequel, which was simply better in many ways. (10/31/2016)

I’m glad that James Wan didn’t turn his back to the horror movie genre, as he had originally claimed, and that he filmed another mysterious story from the life beyond the stage. And I honestly say that I ignored the illogicalities – and there were quite a few of those – and I was enjoying the high-quality cinematography, which took me to places I didn’t expect and that also told a story that was interesting from its beginning to its end. I also have to add that I liked how the director didn’t necessarily lean only towards the horror movie as a genre and that he had a go at a couple of funny moments executed in proper British dry humor. I also thought that some of the scenes that looked like they fell out of Tim Burton’s head were pretty great. I simply didn’t watch this movie to get scared. I was mainly looking forward to the movie telling another ghost story, which is something that has been quite fashionable recently. (09/19/2016)

130-min footage is treading water in terms of genre. Moreover, it´s treading the same water that hundreds of movies already did before (literally, Enfield has already been portrayed before) and in the same style and in a better way (and also in a worse way, that´s for sure). Wan knows well what he is doing, but he still was unable to reveal scary scenes too early (which is his long-term and recurring weak point), so instead of being frightened to death you are only surprised that you are supposed to be scared. On top of that, the running time that includes a lot of padding is simply way too long. Another weak point is that movie is too flashy and some scenes are just randomly put one after another. Thy only thing what is missing apart from demon, scarecrow from a nursery thyme, obsessive child and poltergeist is clown, Ash with a chainsaw or Ghost Busters. On the other hand, in addition to the excellent craftsmanship, it´s well-paced and has several brilliant scenes that still keep the whole thing afloat. So, as a result it´s Wan's standard, only this time much longer and honestly, when did you see a continuation of a scary movie in the movie theater, which despite all its weak points was also a quality film? (06/08/2016)

Given the time James Wan took to make the sequel to the best American ghost movie in recent years, The Conjuring 2 is surprisingly unsurprising. Newcomers might be stunned by his amazing style, as he is one level higher than all of his horror genre colleagues, but those who know him well need some added value in the form of a good screenplay, which is missing here. The change of setting to England is refreshing, but the course of solving the Hodgson case is a step back in its abundant use of genre clichés. (06/27/2016)