Men Behind the Sun

  • Hong Kong Hei tai yang 731 (more)

Plots(1)

Near the end of World War 2, Japan is losing the war so a prison camp is created to test new biological and chemical weapons that might be able to help them win. In order to test these new weapons, the Japanese need to use test subjects, so they capture and use Chinese and Russians as guinea pigs for their cruel and barbaric experiments. The Japanese refer to the test subjects as Maruta, which translates to the word material. We follow the experiments performed on the Maruta by the crazy leader who runs the prison camp and a group of young boys that are enrolled in the camp but they cannot stand to deal with this cruelty. Although all 731 prison camp members disappeared into the darkness and all of the witnesses and records were destroyed, the bloody story of the devil 731 Bacterial Camps marked the immortal history of true and real, cruel and merciless evil. (official distributor synopsis)

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Reviews (2)

lamps 

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English If it wasn’t for the rather weak use of documentary techniques aiming to generate an aura of real events and push a mythological haze around unit 731 (about which not much is actually known), it could have been a pretty strong film; at least that’s the impression you get from the last scene, which leaves the slimy feeling of an endless chilling silence. But that documentary style is there and it’s the main reason the essence of the message is lost – the historic moral doesn’t look like an end but as a means for a cold portrayal of human depravity that you can’t avoid looking at (though I recommend closing your eyes in at least three scenes – the one with the “bare” hands chilled me like probably nothing ever before). We are not given the chance to relate to any of the characters (and we should, because the core should be the rebellion of the young and innocent recruits) and the only thing you’ll remember is some bits and pieces, which are not lacking strength, but their effect comes mostly from the cruelty and the very convincing visual effects (and I have reasons to believe some of them were not actually effects, according to the director, the autopsy of the little boy was real and I refuse to believe the cat being eaten by hundreds of rats was faked). It’s not a pleasant film, but not in the way it should be. 40% ()

kaylin 

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English "Hei tai yang" currently doesn't stand out and its meaning essentially boils down to two scenes. In the first, it depicts an inventive way of skinning and removing the flesh. In the second case, it shows a scene of a child being dissected alive, which really shook me. People are accustomed to a lot, but when it comes to children... The film can probably only be recommended to those who are interested in World War II and believe that the Japanese were just as crazy as the Germans. And, of course, to those who love explicitness and extreme gore. However, even for them, it may be surprisingly disappointing, thanks to the ending and the attempt to give it more depth. ()

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