Rogue One: A Star Wars Story

I tried hard to think about how to write this review so as not to spoil the movie. Let me put it this way, Rogue One has a great premise and on top of that, it is shot beautifully. Especially the final war scene is possibly the best war scene I have ever seen in the world of Star Wars. The problem, however, is that Felicity Jones looked unbelievably beautiful in the poster but in fact, her role was one of the worst roles in any huge blockbuster in the last couple of years. Not only did she look as if somebody ate her breakfast, but she also looked offended and conceited in every scene, like a little baby. Maybe she only had a swollen face at the time, but it didn’t improve the final impression. I was really looking forward to her, but in the end, her fed-up approach to the role disappointed me terribly. And similarly, Diego Luna didn’t fit the second main character at all in my eyes. And when the two main actors from the blockbuster from the Star Wars universe don’t sit well with you, it is quite a problem. Fortunately, the set of supporting characters, who were a pleasure to watch, salvaged it and slightly improved the overall impression of the movie. Too bad, I was very disappointed. I haven’t experienced such a disappointing blockbuster in many years. Well, what can you do, maybe the casting of the lead roles will be better next time? (06/28/2017)

Something is wrong if you have to wait 131 minutes for the first great scene in a film that is 133 minutes long. This film is not made out of love and fondness for Star Wars, it's made for people who will go to see it out of love and fondness for Star Wars, because any billion in profit is good. A woefully ordinary and completely useless film that doesn't fit in with either the old or the new episodes. (12/16/2016)

Another Star Wars movie. And a great one at that! Rogue One has a bold and wonderful cast with some lesser known faces, especially in the case of the main characters, who are not chosen Jedis, but just regular mortals whose fate is to fulfil a single, but extremely important task in the saga. A fast-paced story packed with all kinds of fantastically epical action, taking place in beautiful, creatively designed locations (the huge ATATs at the Maldivian “atoll” are a childhood dream come true). Lovely episodes featuring beloved Star Wars characters, the plot of which is well linked to the first trilogy. Finally, an intriguing and powerful dramatic tangle of a large number of characters, each having their own importance and whose actions define the pillars of the first trilogy. You can see that this was written by people who not only love Star Wars, but also know how to work dramatically with characters and stories beyond the boundaries of fantasy. And they do not steal from the mythology of the Star Wars universe, but complement and develop it. Bravo! (12/14/2016)

More mature? Don't let it mess with you, it´s only dirtier and free of childish staff. It is true that the first hour is largely redundant and the movie would probably do without it. There is also no denying that describing characters as one-dimensional means adding one dimension to them. On the other hand, this has always been the case with Star Wars. You can recognize scenes that were shot several times and that's not good. And what they did to poor Cushing will make you turn in the grave for more than a decade. At the same time, however, the final half hour has unprecedented zest for this series, that it goes its own way and that Edwards works impressively with space and scale (at least in Imax, it works great in this respect). Yes, it's nothing more than intense disposable blockbuster. However, it is a pretty successful disposable blockbuster that does not try to be anything else which is nice, not in terms of events let alone in terms of not pop culture idol like other self-centered movies of this universe. PS: Although Giacchin's accompaniment is not as good quality or grateful/suitable for independent listening as Williams's, it is surprisingly better, as it does not draw attention to itself and, in fact, only serves the film. (12/15/2016)

Edwards filmed this exactly to my taste. A Star Wars fans’ dream come true. Nothing more, nothing less. It doesn’t change anything about the saga; these sideline events aren’t vital to the big story, they “just" expand on it. Rogue One offers a great deal of action and exceptionally (with such little room to develop) layered characters, headed by a cruelly sincere robot. Felicity Jones je excellent, but everyone in the team is indispensible for final result, which forms a founding pillar of Star Wars. Mendelsohn is a dignified baddy. An ambitious villain who is disgusted at the inefficiency of his imperial colleagues and tries to find support in Vader. The fairytale atmosphere is replaced with semi-documentary wartime confusion and excellent action sequences, and the only smear on its beauty are the two digital faces. The demonstrations of power by the Death Star were much more horrific than in the original trilogy (the fifty megaton Tsar Hadra) and if this part of Star Wars had any purpose, it was this demonstration of the Empire’s newly attained power. A more than dignified farewell to Darth Vader. (12/14/2016)