The Nice Guys

I feel sorry for not giving this nice chill-out movie four stars, but if you’ve seen the best of Shane Black, you’d know he didn’t hit the bull’s eye with this one. The Crowe/Gosling duo is great, their catchphrases are cool and the atmosphere of 1980s L.A. might be the best since L.A. Confidential. But the plot the guys are dealing with is watery and uninteresting, barely even there. (08/09/2016)

As in the case of Kiss Kiss Bang Bang, I'm very happy with what I saw this time, but I'm going to need to see it again because the film turned into a huge mess at one point, which did still entertain me perfectly, but I was lost in it. Ryan Gosling pleasantly surprised me with his comedic talent, Shane Black with how he still manages to tear himself off the leash (like the final action scene, that's pure slapstick). And if I ever see Nixon, I’ll know what's going on. (07/21/2018)

Russel Crowe and Ryan Gosling were born for roles like these. They make fun of themselves, but not in a very obvious way. That’s what the movie itself is like. It is funny, but at the same time isn’t primarily about the humor, it is rather a typical detective story from the 1970s. However, when there is a hilarious scene it has such an impact that you will want to rewatch it a couple of times after the first viewing. During the remainder of the time, you hope for something mindblowing to come any minute now and so you are observing, lurking, and you appreciate every moment that makes you laugh. Every joke is actually filmed so originally that the ending will make you sad. Even though I wasn’t that impressed with the first half of the crime story, the second half was a lot better. But the humor reigned for the whole 2 hours. I even have a feeling that you will not find a funnier movie from the year 2016. (12/21/2016)

Black is a wisecracker and he knows how to write characters, fully humanize them, and then let them sprinkle (not only) verbal humor in dialogue exchanges that make the audience squirm. Yet the entire film is covered by such a terribly lame and in many moments transparent crime plot that it wouldn't even hold up as a retro episode of CSI. If the investigative aspects hadn't been taken so seriously (a take on so many strong social themes) and had settled for more self-deprecating silliness, it would be a genre perennial. [It dissipated quickly the day after I watched it.] 3 ½. (05/25/2016)

Starsky & Hutch by Shane Black. What's not to love? Perhaps only the disparity between the silly buddy comedy storyline loaded with one-liners (I haven't laughed so loud in the movie theater for a long time) and the regular gritty crime storyline, which is clearly only a makeweight, but for a long time is much more refined than it turned out to be eventually and in the final scene it is clearly too slow. In other words, both in terms of the story in a style like"nothing is going on" and in terms of comedy, it´s absolutely flawless. And I look forward to a sequel, the two of them get together in terms of mutual chemistry so unusually and in a unique way (after all, see for yourself. It would be terribly unfortunate not to give them proper space. However, the best movie in this department is still Zootropolis. (05/24/2016)