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Starring Mark Ruffalo, Rachel McAdams and Michael Keaton, Spotlight tells the gripping true story of a team of Boston Globe reporters who launch a fearless investigation into child abuse allegations against the Catholic Church. What they eventually uncover is a shocking citywide scandal; almost ninety priests guilty but never convicted, legal settlements done in private, and a systematic cover-up of the abuse by church leadership. Determined to leave no stone unturned in their hunt for the truth, their investigation soon threatens to bring down some of the city's most powerful figures. Capturing the high-pressure world of in-depth reportage, Spotlight is a smart, thrilling depiction of journalism at its best. (Entertainment One)

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POMO 

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English Spotlight is exactly the movie I expected it to be. The well-written script doesn’t let the viewer get lost despite the abundance of names and characters, and it achieves escalation by precisely dispensing information. The actors perform with gusto as though this was the most important theatre play of their career. It’s thus all the more regrettable that their characters play only the roles of peculiar investigative journalists, but none of them has a more direct connection to the investigated subject. But that would make the movie into a contrived thriller, and that’s not what Spotlight is about. Rather, it stays true to the real events and is thus an honest and courageous tribute to real journalist heroes, and most importantly, it addresses a very serious matter. That it does not change anything politically and barely anyone will remember it after a few years is a different story. ()

lamps 

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English I don’t know what else to ask for. A masterfully written and brilliantly directed topical story that does not deviate for a moment from its established narrative pace and presents its shocking content to the uninitiated consumer in such an authentic and gripping way that they immediately want to take up investigative journalism by day and shoot horny priests in their private chambers by night. Plus the great protagonists, whose character is (rightly) sketched out only peripherally as part of the investigation process, but whose performances I could have easily endured two hours longer, all the way to the lecherous gates of the seemingly untouchable Vatican... 90% ()

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Kaka 

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English Cheap, economical and yet A-grade filmmaking, which is what Hollywood is all about. Spotlight isn't about emotions, it's about facts, hence the Oscars. A great thing and the biggest drawback for the viewer, as this two-hour procedural is a bit monotonous, tiresome and impersonal in places. On the other hand, the issues it covers and the testimonials it leaves are unprecedented, almost demonic, and a clear indication that the church is first class crap. ()

kaylin 

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English An incredible surprise in how the film is shot with great acting performances. The actors don't unnecessarily draw attention to themselves but act in a way that highlights an incredibly strong theme, showing the corruption of society, primarily American, and its integration of faith into life. But this can be applied to other topics as well. If any film deserves an Oscar, it's Spotlight. ()

Zíza 

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English I just have a soft spot for these chamber dramas. Especially when I feel like I'm not wasting my time watching them because it gives me something. Whether it's quality entertainment or new knowledge. More films like this and I'll like that American cinema a lot more. The actors act because they have something to act. And that's the best part. ()

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