Westworld

The potential of the scheme "Red Dead Redemption MMORPG by Philip K. Dick" is unprecedented, but still suffers from excessive exposure. Because most of the time only future great events are implied and the world is being explored including its specific rules on the spot and behind the scenes, so as a result there is somehow no necessary space for the characters themselves. In mostly badly affects the living characters, which are sadly too one-dimensional. In any case, this multi-layered moral reflection is so well played out and captivating that the viewer will dive deep into it. I'm just wondering if the short story form à la The Black Mirror wouldn't fit more, because the power of these themes is based on how each viewer will approach them deep inside. Thus, only time will tell whether the creators will deal with this pitfall with honor or whether they will keep repetitively doing the same all the time. (10/11/2016)

Season 1 – 90% – Behind every dusty town corner, behind every distant mountain, there is such potential hidden where during chills were running down my spine the first few episodes from all the possible scenarios of how I would handle each complicated situation. Jonathan Nolan and Lisa Joy cleverly tell the story at a measured pace that presents many questions but also manages to quickly answer the most pressing ones with subtle clues, so that an attentive viewer can guess the twists ahead of time. But when such dark suspicions are confirmed, with the assistance of phenomenal performances by Anthony Hopkins, Jimmi Simpson, and Thandiwe Newton, it becomes a genuine delight for the audience. Westworld is not perfect yet, but with each episode, it refines its edges faster, and despite the painful loss of some beloved characters, after closing a surprisingly large number of doors in the finale, I know one thing above all: I want more and I am glad that I am not alone in that. Season 2 – 60% – A forgiving assessment that goes hand in hand with polished visuals, captivating performances, and special effects that turn each episode into an event. However, in combination with the almost insulting pace and the need for shocking twists in the finale, the second season is possibly the biggest disappointment of recent times. HBO's attempt to turn Dolores into a new poster Daenerys Targaryen is absurdly forced, especially since her storyline perhaps gained significance only at the very end. Otherwise, the whole endeavor paradoxically loses strength the better we get to know the main characters. It's as if these creations, by losing their influence, have lost their mystery and have become two-dimensional figures with no surprises hidden in their progress or apparent development. Without William's memories, I would definitely rate it lower. Like this, I consider the second ten episodes a misstep that is still redeemable. Season 3 – 85% – I can't remember the last time a new character became the savior of an established series. The human element of unpredictability is brought by Caleb, portrayed by the brilliant Aaron Paul, and it is thanks to him that the symbiosis of philosophical ideas, meticulously crafted shots, and thoughtful action works. Despite its breakneck pace and reliable cast, it's not a knockout despite its breakneck pace and reliable cast because the friction between Dolores and Maeve is perhaps a bit too calculated and the trajectory towards the divine machine is too straightforward. Nevertheless, I was pleasantly surprised by how much I look forward to the regular dose of robotic emotions and savor every twist. For some, the line between good and evil may be too clear-cut, but I am happy that one of the most ambitious shows of today is not afraid to come closer to the viewer with such a decisive step. (12/06/2016)

The skeptical half of me seethes with rage at the memory that during the first half, the personal validator highlights so many glitches that would get the average programmer kicked out of school during their first exam. The second half, however, is a reminder that the whole time it's been loading up on a pack of spectacular revelations in which you sense Abrams' classic "everything is different" but appreciate Nolan's "let me pour it into your head in a whole new way." Even if you find something out, guess something differently, and something really surprises you in the end, after the initial indignation you will eventually reach a slight sense of satisfaction. Anyway, rather than a weekly allotment, I'd appreciate Westworld in a unified "Netflix whole." The way that it is, the initial slowness is more annoying than interesting. (12/06/2016)

Watching Westworld is like spending a protracted and monotonous ten hours putting together a jigsaw puzzle; there are times you get bored and feel like quitting, but after all the pieces have fallen into their place you can say “hey, that’s a pretty nice picture!”. Yet, I feel that this picture in particular isn’t much of a masterpiece, and that the journey there was pretty annoying at times and full of useless side trips. Overall, the first season didn’t enchant as much as I was expecting, I think the concept has more potential. Straddling three and four stars. (12/07/2016)