Master and Commander: The Far Side of the World

A perfect combination of artsy chamber piece focused on characters and “how things worked on those beautiful vessels with sails" with a simple adventure for boys about friendship and duties like out of a dime novel you read secretly during lessons. Despite having nothing whatsoever to do with the equally marvelous book the movie is based on (this is more a mixture of the first and third book with a bit from the tenth book in the Aubrey and Maturin series), this is a simply wonderful movie in its sense for historical precision, characterization of characters or nods for readers (Jack’s missing earlobe, letters to Sophia, Maturin’s “floral" waistcoat etc.) And technical aspects keep step with the content - they are the highest possible standard. The only thing that disappoints me is the non-existence of a director’s cut. As a whole twenty-four minutes of cut scenes demonstrates, not just ballast, but much high quality material was left out of the final cut. (01/28/2007)

I can't even believe how sensitively such a one-sided issue can be portrayed. For two hours, I wanted to serve on the Surprise under the perfect captain Crowe and fight for England. It's a shame that the script can't adapt to Weir's fantastic directing and sometimes slips into completely unnecessary twists, like in the case of the superstition about Jonah. (07/17/2007)

For a large part of its runtime, Master and Commander maintains an excellent five-star level of unconventional drama, which does without typical genre clichés and is characterized by a decent atmosphere. The director is not as interested in the war action as in depicting the life of a sailboat crew at the beginning of the 19th century, and through minor incidents and dialogues, the viewer learns a lot not only about a sailor's life but also about the whole society of that time. Among other things, it is a film about friendship and responsibility and a hierarchy of values. The final third of the film, which portrays the clash of two warships, is predictable, clichéd, and above all poorly shot, as well as fragmented, chaotic, and poorly edited. Peter Weir simply doesn't know how to do this, it's not his area of expertise. The culmination of the film for me was not the battle frenzy, but several dialogues between the captain and his ship's doctor. Overall impression: 80%. The film has an excellent cast, with Russell Crowe excelling in his role. In addition to the cast, the film's strengths include the authenticity of the setting and the cinematography, which utilizes all the possibilities that the ocean environment provides. (08/26/2008)

Whatever you might expect, you will get something else. Master & Commander is like a James Ivory film on the water. There’s no epic story, no action, no grand heroes. The film is rather a psychological excursion into the lives of the crew of an old warship, their interpersonal conflicts and the rules that they have to follow. The brightest scene in a war movie would be a successful final battle. In this film, it’s an insect collection belonging to a wounded doctor on a tropical island. The cinematography is beautiful, portraying the individual characters in dozens of detailed nuances. Russell Crowe appears on the screen and you immediately idolize him. And you form a relationship with the other main characters as if you have known them for years. Peter Weir is an extraordinary director. (11/13/2003)

In terms of its production quality, Master & Commander is a spellbindingly impressive project that’s beautifully anachronistic in relation to the trends of the time when it was released. Because of that, however, it inevitably fell short of box-office expectations and failed to become the start of a film franchise, but that doesn’t change the fact that its qualities have stood the test of time. Especially today, when digital effects have long since lost their wow effect, the stubborn authenticity on display here is breathtaking in its immediacy and physicality. In line with the book series whose name the film bears, the narrative focuses on depicting the battleship as an organism and all aspects of life throughout the hierarchy of its crew. To heighten the drama, the individual peripeteias represent the best of the events of the naval battles. The ingeniously constructed screenplay flawlessly connects the two storylines. To the same effect, the individual cut sequences and dolly shots help to map the topography of the ship while constantly illustrating the real dimension of both ordinary tasks and the chaos of battle. (07/22/2023)