Captain Fantastic

This typical “Sundance movie” is a feel-good tragicomedy with a nice soundtrack, eccentric but likeable characters and a predictable ending. The raw opening scene depicting the first of a series of rituals aimed at preparing Bodevan for his entry into adulthood gives the viewer hope that Captain Fantastic will be more truthful than ingratiating, while not offering any wonderfully easy solutions to complex problems. But from a celebration of life outside of the system that strips people of their individuality, the film soon collapses into a hackneyed story about the necessity of socialisation and respect for social conventions. The characters may not be willing to accept the norms of the world that they have scorned for so long without question, but their transformation is still tied to their subordination to the dominant ideology. Though the director sensitively spreads the attention among all of the members of the family, led by Mortensen’s practically perfect protagonist (whose mythologisation, already evident in the film’s title, is not problematised by Ross), he cannot disguise the fact that his characters serve mainly as walking arguments in support of the conservative idea of the importance of a happy family. Thanks to its pleasing shot compositions, slightly cynical humour, reasonable amount of pathos and well-timed use of upbeat music, the film evokes the intended emotions, but these quickly fade, because Captain Fantastic is not built on a convincing foundation. We can believe neither in the characters, who too easily give up everything they have fought so long and hard for, nor, because of that, in the would-be non-conformist, anti-consumerist message. 70% (08/03/2016)

An indie film in a highly addictive presentation. It has beautiful performances (perhaps Aragorn deserves a major award), with a catchy narration and topped off with a big idea that the filmmakers manage to sell almost perfectly. I'm not saying that I wouldn't also occasionally love go somewhere in the middle of uninhabited forests, away from religious fanaticism, gluttony, social chaos and greed, and then read how to behave on a first amorous encounter (and the resulting knowledge would undoubtedly be as useless to me as my current ignorance), and I would play the uplifting country version of “Sweet Child O'Mine”... Not as free-thinking as its heroes, but certainly a playful and inspiring work that deserves universal attention and respect. 85% (12/27/2016)

In the beginning, it seemed like a movie about a cult, which made me so annoyed that I almost quit watching. Then it occurred to me that the film might be about the Kelly Family and I hung in there out of curiosity. Surprisingly, after a while, the whole family went to a funeral on a bus accompanied by the sound of Scotland the Brave, so I figured it probably wasn't about the American-Irish band. I was amazed how intrigued and entertained I was by a story about a clash of two life philosophies. I just didn’t take away any moral lessons. But that's just me, I’m a cynic. A side effect of the film is that I’ll be suspiciously looking around when walking down the street to see if there isn’t a radical socialist behind me who’s out to get me. (11/17/2016)

A unique example of a film that impresses me and pisses me off in a single minute, but it's hard to resist the fact that acting and directing sometimes dragged me to the side of this Platonic idealism mixed with peppery ideological goulash. Manipulative yes, clueless at the end, but at the level of the intimate story of a tyrannical father and emancipating children, but the film is not far from the much purer and simpler magic of Fierce Creatures. Mortensen? This guy is not in the top league. He established his own a long time ago. He carries the film to a large extent despite all the considerable problems. An inspiring mix of resistance and sympathy. [75%] (07/23/2016)

I ignored this one for a long time, but after watching it I'm almost tempted to go up to 5 stars. I don't think anyone will forget this family that has lived in the woods for 10 years. The parenting style was very unconventional and I think it could have easily been functional. Viggo Mortensen was absolutely amazing and his intellectual dialogues took my breath away at times, every dialogue is a powerful and thought-provoking thing. The kids were Oscar-worthy and the knowledge that 8 year old girl has of politics and law made my chin drop. Very good in places and perversely funny. 85%. (03/11/2017)