X-Men 2

In the context of comic book adaptations, this is definitely one of the more successful endeavors, but it is also a common commercial product that did not convince me with what it had to offer. The first two films Singer directed have greater ambitions and strive for a certain depth of thought at least in their genre than, for example, Hood's purely popcorn teenage flick X-Men Origins: Wolverine. Although I gave it 4 stars, I admit that I have never been a fan of similar mainstream comics about superheroes and mutants. This kind of fairy tale for grown-ups simply tires me. In terms of acting, it is solid, and the direction cannot be denied high professionalism, but the script seemed somewhat chatty and diluted to me. Overall impression: 60%. (07/02/2010)

The singer reaches a climax of relationships and emotions, with characters from the past and present including very attractive deviations from various periods of comics and brings sufficiently Wolverine-like rough action and captivating finale at the dam. In comparison to the first part, certain intimacy has indeed been lost, but thanks to new characters or one inconspicuous transition to the other side of the barricade, Xavier's school once again reaches for perfection. (06/18/2005)

Excellent. X-Men 2 is undoubtedly better than the first movie and is perhaps the best comic book movie adaptation ever. Singer perfectly handles the psychology of the characters, and the action is also impressive (the White House introduction, the attack on the school, the X-Jet in a tornado, and Wolverine vs. Deathstrike). He’s a brilliant storyteller who knows when to push hard and when to slow down. He handles everything with feeling, bravura and love for the original comic book. Sadly, he ran off to Superman, where, for all his undeniable virtues, he couldn't succeed the way he did with X-Men. Too bad, Bryan. (08/01/2006)

X-Men 2 is, together with The Crow and Batman Returns, the best comic book adaptation ever. An extremely skilful mix of psychology and action, an interesting and smart story, dialogue that doesn't drag, great visual effects and last but not least excellent actors. I ate it hook, line and sinker, and I hope Singer still enjoys doing this and that we can expect a long, pleasant franchise. Carry on. (09/19/2003)

Brian Singer proves that even a movie based on a comic book can contain some psychological undertones. If you add precise directing, well-chosen cast, lots of ideas and an ingenious action sequence. In addition, they have the advantage that the movie worked even without any of the above, unlike most other popcorn movies recently. At last a picture that proves the rule that a sequel can be considerably better than its forerunner. (07/03/2007)