The Cider House Rules

Along with Miloš Forman, Lasse Hallström is one of those European directors who have adapted best to the American environment and have managed to combine European artistic ambition with decent craftsmanship and the commercial interests of major studios. Like Forman, Hallström focused on adaptations of notable works by famous novelists under these new conditions and managed to process them with exceptional care and a sense of detail. The Cider House Rules is a cultivated and sensitive film about coming of age, the search for life values, a sense of duty, and love and friendship. It is not easy to set a film in an orphanage setting and avoid cheap sentimentality, but Hallström, in my opinion, succeeded perfectly. I often come across false tones in similar films, but I didn't hear them here. The film has excellent casting, with Maguire and Caine acting in a measured and precise manner. Both of them are very significant and unmissable actors of their generations. The only flaw in the film's beauty may be the slower pace for some viewers, but it certainly didn't bother me. Irving is not a writer whose works can be easily made into a film, but Hallström succeeded in this case. Overall impression: 95%. (11/06/2011)

In Lasse Hallström's oeuvre, I place The Cider House Rules in an imaginary second place, right behind What’s Eating Gilbert Grape. I quite wonder if John Irving was already thinking of Hallström as a future film director when he wrote the book :)), as such a theme is quite typical "Hallström". The fact that John Irving is the author not only of the book, but also of the screenplay itself, certainly contributed enormously to the excellent result, which should please both readers and audiences untouched by the book. The musical score is again pleasantly intimate, the direction civil and unobtrusive. What more could you ask for? :)) 95% (03/13/2010)

These intimate human stories have an undeniable charm, and when a talented director takes the helm and you have figures like Michael Caine (an exceptional performance!), the young "Spidey" Tobey Maguire or the beautiful Charlize Theron in the lead roles, the charm turns into magic, and The Cider House Rules is a great example. The story of a talented boy who grew up in an orphanage and has decided to follow his own path in life is full of positive and negative emotions depicted in such a natural form that it’s perhaps impossible to grasp them completely at first. Lasse Hallström dictates the slow pace with precision, playing a poignant game full of understanding and love that can occur even between completely different people...) And yet, I can’t give it a full rating. In films like this, it's very important to dig deep into the viewer's skin with their ideas and the execution, but that kind of narrative power was a bit lacking here. (07/03/2012)

Perhaps the only really good movie adaptation of any of Irving’s works. The screenwriter (and author of the novel) transferred the book sensitively to the screen and so the brutal cuts from the original don’t matter, because the right atmosphere remains. Hallström holds the picture in his sure hand and everybody puts on good performances. A great and very pleasant movie to watch. (02/06/2007)

I really cried at the end, this is something that will get everyone. A beautiful, moving story, sensitively filmed. How on earth does Lasse Hallstrom manage to make every one of his films a true cinematic event? And the actors? I really like Tobey Maguire's austere style, Michael Caine was excellent (but I can't help it, it wasn't Oscar-worthy), and Charlize Theron has long since ceased to be just a model, she’s a really good actress and an extremely glamorous one at that. And so, in conclusion, my friends, let's thank fate that this didn't get into the claws of Jan Svěrák. He would have thrown in some sad eyes or something similar and viewers would have missed out a profound experience. (09/20/2003)