American Made

Clever and funny. This will stay around for a while. Cruise and Liman began to hit it off together on the Edge of Tomorrow and the chemistry continues in this free biography of smuggler, Barry Seal. Great comedy style, tongue-in-cheek to damning reminder of the insensitivity of the government. Perfect late 70s atmosphere, great music and two hours of good, honest fun. (09/02/2017)

A worse feature episode of Narcos, made in a relaxed but inconsistently executed style of The Wolf of Wall Street or the Lord of War. So, it never finds its own path and so it crouches in the shadow of the above. What would help is a better-built storyline, some emotions and a better executed shift to more serious department at the end, but purely as 80s stylized relaxed biographical nonsense, it's not really bad at all and it's definitely fun. Take my word for it. Especially thanks to Cruise, who is a great fit to this comic conceived role of a passive macho dude. Partly because he doesn't try to stylize himself into the real Barry Seal and he just plays himself. (08/24/2017)

Barry Seal is Tom Cruise's one man show. Totally. Actually, there's nothing here but Tom Cruise in a role that was tailor-made for him. As a likeable bastard who can work for three deadly organizations at the same time and still make a damn good living at it, he's downright brilliant. His Barry is an amoral bastard, but with such enormous charm that you'll be rooting for him even as he muddies the waters with Colombian cartel bosses, delivers weapons to Central American paramilitary organizations, and buries his money in suitcases in the backyard. Barry has style, and thanks to Doug Liman and his brisk direction, his adventures are quite watchable. And it's only at the end that you realise that it's actually playing it too safe, that Barry's sort of getting away with everything, lacking a significant antagonist, conflict or even problem, and that it's not actually very interesting. Cruise fans will probably enjoy it to the max, others will be treated to a stylish, broadly entertaining but more or less pointless film. (07/27/2018)

A modern Scorsese who is as easy to look at as an overstuffed wallet, but at the same time embodies the fact that nobody can tell a story as coherently as the legendary Marty. Barry Seal wants to deliver a very complex and balanced story, but ends up offering terribly little room for the supporting characters and brings nothing new to the game apart from some flashy work with self-aware editing and music. I enjoyed Cruise, the pace and the positive feeling, even if it didn't always quite fit with the events described, but after a while what has stuck in my mind are hilarious bits, not a hilarious film. A respectable 70%, if only for Sarah Wright's undeniable potential for the less accessible roles whose ideas she cheekily encourages. (12/04/2017)

After The Mummy, Tom Cruise apparently relaxed and enjoyed this 1980s summer romp perhaps even more than many viewers. It’s hard to deny that the premise is uninteresting, but the execution and especially the pacing are a challenge. It's a movie about a huckster pilot that basically flies on autopilot the whole time and everything is clearly lined up (and repetitive). There is no moment of surprise, no vivacity and no drive, you can anticipate the screenwriter's intentions three moves ahead. You still may get a taste of this summer ride, but it's not the experience of the year. The attempt to align itself with Scorsese's legends with its razor-sharp jokes and sarcastic undertones is there, but unfortunately often off-target. (09/01/2017)