Two Is a Family

For the second time in two days, I had to turn off the cynical bastard in me to enjoy an endearingly heart-aching movie. If I had been looking forward to a great comedy, I would have been disappointed, but as a drama, it works perfectly. I don't know why, but I like Omar Sy, whether he's playing an unexpected dad, a caretaker, a cook, or a gangster. He's accompanied by superb Clémence Poésy here, and it sure is a success. Maybe I also liked the film because I was expecting more of a goofy flick with a lovey-dovey happy ending. Instead, I got a drama that kept me entertained and the two hours just raced by. I hope the French filmmakers don't plan on making more of this sort of thing, I'd hate to change my negative attitude towards the French cinema. (08/27/2017)

Compared to the Mexican film Instructions Not Included, Two Is a Family has a much better cast. Especially the likable Omar Sy and the charming Gloria Colston deserve credit for the fact that the plot moves along nicely. It is not as funny as the Mexican film, but the dramatic storyline is skillfully interwoven with slightly comedic elements, while the atmosphere is perfectly underscored by a very good soundtrack. Which I definitely find more appealing than some big spectacle. (70%) (08/14/2020)

For me, Omar Sy is probably the foremost French actor of family comedies with a hint of contemporary drama. Any movie that he appears in is a joy to watch. By the way, the homage to Eddie Murphy was quite appropriate since they look awfully alike. And with his positive approach to acting along with his personality, he couldn’t possibly spoil a movie, including this one. Two Is a Family is a beautifully filmed human, amusing story that’s worth waiting for. It's a bit of a drag, but you get such a pleasant, warm feeling watching the movie that you don't really care, because this kind sense of humor can caress your soul. (08/31/2017)

I have nothing against bittersweet, moving films, but Two Is a Family is a manipulative and superficial calculation that is fundamentally unpleasantly torn between trying to find a serious relationship-parenting probe in the style of contemporary European dramas, and an inappropriately chosen overflow of Hollywood comedy stylization. Both of these contradictory approaches interfere with each other. The result seems as if the creators want to shoot a new version of Kramer vs. Kramer, but to make it come off to the audience more like Big Daddy with Adam Sandler, which reliably kills any impression of realism. The first quarter of an hour is basically great, but the rest is an artificial spasm that is too bitter for comedy and too flat, transparent and unbelievable for drama. (11/02/2017)

The French have managed to do something again: to arouse every possible emotion in a person. You'll laugh, you'll be moved, and you'll also be furious and will feel like killing someone. I think the anger got the better of me. Some people, in this case Gloria's mother, don't have an ounce of shame in them. She has no shame, she has a lot of balls for just walking in and claiming something she has absolutely no right to, or I guess she does things according to the French justice system. Yeah, that's what she'd like, to put the baby down, leave the most challenging years of parenting to the father, and then walk in years later and "hey there, I'm your mommy, so now I'm taking you, ok?" It is a beautiful film, with an important message, but I’m still angry :) (05/03/2017)