Life

Every year, roaring idiots can look forward to about a dozen almost identical infantile colouring books where a masked clown saves the world from a generic villain, but I would love to look forward to having once a decade a film with a similar budget (and cast and craftsmanship) that will be slightly similar to another film made about 40 years ago. Outrageous! Before the screening, I was hoping for a solid eight (like 8/10), in the end Life is an unconvincing seven, but still fine. I loved the design of the main monster and I enjoyed how several scenes play with zero gravity. In the first half at least, the film looked fairly smart, credible and scientific, but when it switches into thoroughbred B-movie chases (at around the second death), it’s no longer so smart, but what the hell. I also felt that the second half jumps awkwardly between action and “broody” sequences, as if stuff had been edited out so the film would not be too long. Personally, I would’ve also toughened up the horror. The expectation that Life could be something more than a snack before the upcoming Alien – Covenant was not fulfilled. But as a snack, it is pretty decent. (03/23/2017)

Though it has a nice ending, Life is otherwise just a well-crafted yet routine genre movie that was born out of the possibility to use the audiovisual trends from Gravity. You won’t be bored, as the tension works and the cast is pleasant to look at, but the story is clichéd and the occasional lapses in logic and at least two poorly edited scenes drag the film down to the level of forgettable average. (03/30/2017)

A mix of Gravity and Alien, intended to be dominated by man-eating plankton. There can't be much talk about originality, because the creators have obviously had a look at older pieces as well as the new, modern Gravity. The space walks and the destruction of the station are basically indistinguishable from Cuaron's opus (so cool), while the case after the module and the motion sensors look like right out of Alien. And of course there must be a racially and nationally diverse squad of astronauts (gradually dying) and at least twice in the film it must be mentioned that developed countries like Russia, USA, China are involved – exactly in that order! The ending is gratifying but not surprising. Just like Rebecca Ferguson. It’s a thematically heavy sci-fi flick that turns into light entertainment for any given evening. (06/15/2017)

In moments when Daniel Espinosa attempts bouncing gravity steps, I mutter to myself something about missed ambitions, but as soon as inspiration from a certain legendary space creature fully manifests, it's a win. The tension doesn't let up even for a moment, Jake Gyllenhaal holds his own even in scenes full of seemingly meaningless dialogue, and even a good few hours after it's over, the thought-provoking conclusion continues to linger, forcing me to contemplate the causes and consequences. (03/24/2017)

When I do something, I do it properly, not like Daniel Espinosa. He can indeed direct sci-fi with six heroes that looks magnificent and all those flyovers of the space station are quite impressive, but story-wise, it's a bit lacking. Life seems to balance between two genres. For a while, it plays at serious sci-fi, and a few scenes later, we have a decent horror-trash B-movie. Unfortunately, the film doesn't bring anything surprising or something we haven't seen before in either of these approaches. If Espinosa leaned more into the trashiness or tried to make Life something more thoughtful and steered it in a different direction than B-movie, it would be fine. And it would probably significantly justify the existence of the film itself. As it is, it's a nice-looking sci-fi flick with a chestburster that will only be mentioned in a few years in connection with lists of films that attempted to steal from Alien. (05/15/2017)