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When they were kids growing up together in a rough section of Boston, Jimmy Markum, Dave Boyle and Sean Devine spent their days playing stickball on the street, the way most boys did in their blue-collar neighborhood of East Buckingham. Nothing much out of the ordinary ever happened, until a moment's decision drastically altered the course of each of their lives forever. Twenty-five years later, the three find themselves thrust back together by another tragic event--the murder of Jimmy's 19-year-old daughter. Now a cop, Sean is assigned to the case and he and his partner are charged with unraveling the seemingly senseless crime. In the wake of the sudden and terrible loss of his child, Jimmy's mind becomes consumed with revenge--and his own plans to find the killer. Caught up in the maelstrom is Dave, now a lost and broken man fighting to keep his demons at bay. As the investigation creeps closer to home, his wife Celeste becomes consumed by suspicion and fear, while Jimmy's wife, Annabeth, draws her family tighter together in order to weather the storm. (official distributor synopsis)

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Reviews (10)

lamps 

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English Once again, Clint works flawlessly with human emotions, from love to pure hatred, but this time it's not so much to his credit as to all the excellent actors who play such an atmospheric and chillingly patient game that the depressing finale made me want to scream and quickly shake it all off. Unfortunately, the compelling and simply-framed psychological storyline fights too hard for attention with the detective plot, which rings a bit hollow and is ultimately not as crucial to the story as the frequency of all the interrogations and new leads might suggest. Other than the aforementioned finale, there aren’t any wow-sequences that would be permanently etched in our memories, the kind Eastwood usually delivers aplenty in his masterpieces, so I have no choice but to bring up Sean Penn and Tim Robbins again, without whom this time it wouldn't have been quite the same – but Clint probably knew who to cast :))) 80% ()

Kaka 

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English A dark crime drama with a fantastically intricate plot. Clint Eastwood directs coolly, distantly, and very meticulously. Sean Penn delivers a fantastic performance and the dramaturgy of Mystic River is flawless. It is exactly the kind of film where everything falls into place at the end as it should, but at the same time it is raw, harsh, and unconventional enough to confuse even the ordinary viewer. ()

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Marigold 

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English A very impressive work that has artfully combined the virtues of psychological drama and detective story, with the blending of the two genres in a very gritty finale being one of the greatest pros of Eastwood's film. The first part feels rather clumsy and takes on revolutions more than laboriously, but in the end, thanks mainly to Sean Penn, the narrative engine kicks in successfully, and as the minutes progress, Mystic River becomes a truly magnetizing spectacle, which, while not surprisingly deep in storytelling or extremely masterful direction, amounts to only honest and interesting narratives, great acting performances and emotional moments. The strength of the story lies primarily in the central three-petal, in the internal dilemmas and scars that protagonists have carried with them since childhood and which influence their actions... Unbalanced, but excellent. ()

novoten 

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English Thanks to Sean Penn's performance (not only in the formally perfect scene of finding the victim), the film is better than it would be without him. The crime story mixed with a heartrending drama holds up more than solidly until the finale, which unexpectedly escalates minute by minute and pulls many surprises on the viewer. Although you will understand what that river in the title is looking for during it, the previous atmosphere collapses in that instant. ()

gudaulin 

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English A chamber psychological thriller that relies on a very high-quality cast and reliable, experienced direction from Clint Eastwood. It is not a film that would cause any revolution in cinematography or bring me to ecstasy with its processing; on the other hand, it does not have any significant flaws and represents a significant above-average film in its genre. Overall impression: 75%. ()

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