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An inquisitive reporter views a mysterious videotape that is linked to several deaths she sets in motion a chain of events that puts her life in danger. Now she is in a race against time to solve the mystery before it’s too late. (official distributor synopsis)

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Reviews (11)

novoten 

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English After more than ten years since the creation of the film, I am surprised how much the audience is fixated on Kruh as a devastating horror. And yet it works much better in its thrilling suspenseful dimension. Verbinski's move with the endless delaying of all the scary moments evidently succeeded. It then leads the viewer towards death through suspenseful scenes (watching the tape, discovering its images in the real world, the horse, the old Morgan) right to the literal edge of the well. You don't want to hurt anyone, do you? - But I do ()

Lima 

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English There are some excellent scenes, and a few compositionally clever shots, but after it finished I told myself “Is that it?”. I don't know what it was that didn't work, but I just wasn't scared, which is a pretty serious problem with horror. The Ring just fizzled through my head. I have quite a problem with remakes of Japanese horror movies. ()

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D.Moore 

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English A number of great scenes, a decently mysterious atmosphere and skillful direction, which sometimes plays with the clichés of horror films (several times during the introduction, for example with the refrigerator door). Unfortunately, at one point it kind of logically stalled and I got a few questions about the curse and its cancellation (so SPOILER): Why was Rachel hallucinating all the time when the curse didn't really affect her anymore and only Noah (and later Aidan) were supposed to die? Is there some kind of "You may not die, but you'll hallucinate until the other guy dies" rule? Or is it simply a hole in the script? I'd be willing to accept the explanation that Rachel's hallucinations were just memories of what she saw in the video, but that would have been undermined by the finale in the well... I don't know. ()

POMO 

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English Though The Ring doesn’t come up with anything new in the context of clichés and the screenplay has some lapses in logic, it is so brilliantly made that it can only be praised. It’s a razor-sharp horror flick with bleak cinematography, a terrifying soundtrack, a perfectly cast little boy and, mainly, the beautiful, natural and spontaneous Naomi Watts. ()

Kaka 

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English A remarkable thing. The Japanese original is probably a completely different film, but Gore Verbinski managed to capture a brilliant atmosphere in his remake, he succeeded in several nice compositions and visually excellent scenes. Traditionally, a ton of attention is drawn to the exceptional Naomi Watts, who has been in her best acting form in the past decade. ()

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