The Birds

I really like Hitchcock, but I never understood the enthusiasm around this film by the Master of Suspense. It's not one of his worst, but there are plenty (read dozens) of much better films in his oeuvre. The big problem is that technically it has become somewhat outdated - which wouldn't matter if it had an atmosphere to disguise it. Unfortunately, there is not a shred of it in The Birds; and in its essence, it is almost offensive to the ingenious chamber atmospheric original story (yes, I adore Daphne). And thus even the infinitely charming Tippi Hedren cannot save it. (01/12/2007)

The Birds is still as sensational as I remembered it, a joy to behold. Perhaps what I admire most is the gradual building of the atmosphere and how smoothly the film moves from an interesting relationship drama full of likeable characters to a fierce thriller with a fight for life. Each scene with the birds is not only incredibly suspenseful, but also even more suspenseful than the last, so that the amazingly chilling attack on the schoolchildren is trumped within minutes by the "pterocalypse" in the city, which is later surpassed by the multiple horror finale in the house. The technical aspects of the film are still extremely impressive, and if it strikes anyone as dated, then please let it be - I continue to find The Birds terrifying and probably always will. (04/27/2016)

The Birds is an absorbing character study with beautiful color composition, a masterfully built atmosphere and hypnotically captivating fluidity of the action. At first glance, it is “only” a wonderful-looking commercial supernatural horror movie, but on closer inspection, it is a work of art with a poignant existential subtext. With the passage of time, it has become a cinematic gem. (11/23/2004)

A legendary film directed by the master of tension Alfred Hitchcock, based on the story of the same name by writer Daphne Du Maurier. The story is, by the way, less spectacular but stylistically more sophisticated and, above all, significantly more hopeless than Hitchcock's much more famous film. Its ending is the embodiment of helplessness and despair. Fans of film art will likely appreciate Hitchcock's traditional professionalism in creating the atmosphere of the film, visual composition, gradual development of the characters, and above all, working with the feathered "actors." Tension, although built as is customary for the director, through mere unsettling hints and film dialogues, truly radiates from this film, and after the release of The Birds in American movie theaters, many attacks were recorded by enraged viewers on birds. It is Hitchcock's second most famous work alongside Psycho - both films were shown shortly after they were made in Eastern European countries behind the Iron Curtain. Knowledge of this film is essential for film enthusiasts. Overall impression: 90%. (01/05/2008)

Considering when it was made, the special effects are absolutely excellent. Hitch did a good job and how he builds up the atmosphere, layer after layer, from one attack to another, is genius. Never a dull moment, even before the feathered actors arrive on the scene. The very nicely constructed, relatively untraditional courting storyline is amusing and captures your attention. If only all directors and screen play writers also dedicated such care to their projects these days. (01/02/2011)