The Long Road

In terms of female filmmakers, Denmark is a particularly interesting country, certainly one of the very few in the world where women from early on were able to establish a modest though continuous presence in the industry as directors. So can one argue that the fights Knudsen and others started in the late 1960s and 1970s were also of a different kind than elsewhere? What then is progressive, what is Feminism in the Danish context? (International Film Festival Rotterdam)