The Shape of Water

Guillermo Del Toro and his new film The Shape of Water unfortunately didn't impress me and del Toro has disappointed me after a long time. While The Shape of Water garnered rave reviews and won awards at the Golden Globes for Best Director and Best Score, and I certainly can't deny the solid direction, the period atmosphere and decent performances, Michael Shannon as the bad guy is perhaps the best thing about the whole film, but the rest of the cast left me cold. The film has quite a plodding pace, an unlikeable main character who is so desperate that she's having it out with a Fish Man, and too much romance for my taste that the suspense and the few brutal scenes remain rather in the background. Surprisingly the humour works here though (“Never trust a man even if he is flat down there”). As a romantic fairytale about a mute girl who falls in love with a monster it seems to work, as a horror film it hardly works at all. But it will find its audience, a female audience I suppose. 45% (01/10/2018)

A loose sequel to Guillermo del Toro’s beloved classic Creature from the Black Lagoon with a subtle retro look and a unique and, I’d dare say, beautiful monster. It cannot be compared to Pan’s Labyrinth, as the older movie was more surreal, cruel, sad and less Hollywoodish. The Shape of Water is a charming American genre movie with a simple, even predictable premise, but created with love and with a load of lovely references for movie geeks. "Beauty and the Beast" meets "Romeo & Juliet". A fairy tale for adults in which the heroine no longer reads a fantasy book but masturbates in the bath. Given that it was made by Guillermo, there is a relative lack of of blood and violence. We get to see a black woman, a gay, a Trump-like American general and a secret Russian scientist with his heart in the right place. All decently written and directed, with everything is as it should be, though the runtime is slightly too long. One hundred minutes would have been ideal. (09/27/2017)

A great fairy tale with a deliberately B-movie story, but with its message and how it caresses on the soul, it trumps films that are more ambitious. Sally Hawkins is magical in the lead role, and Michael Shannon has created such a hideously entertaining story that I think it should belong to film history - his ambitious maniac is an example of someone completely unique in recent times. Del Toro's precise directing and Desplat's music, whose main motif you want to constantly whistle during the film, wraps it all into a beautiful experience that was seriously worth waiting for, although it premiered more than two months ago across the pond. (02/14/2018)

Carefully, I expected a mysterious fairytale, into which Guillermo del Toro would pour in a smaller amount, in the best case scenario, and a larger amount, in the worst case scenario, of depression, the main character of his Pan's Labyrinth. However, everything is different, and instead, I am getting a retro version of Splash! for eighteen and older narrated by Richard Jenkins. Among the participating actors, Michael Shannon is the one who stands out the most, although he sells his traditionally wild and scruffy face as much as he can, his storyline as an ultra-negative agent falls somewhat deaf due to unsuccessful family/marital scenes. I perceive that the beauty and the beast are given the main focus, surprisingly at the expense of the development of other characters' storylines but still, this thoroughly captivating spectacle is very likable to me in terms of genre. It is narrated innocently and honestly, and does not try to be anything it is not even for a moment. (02/24/2018)

I was hyped for the new movie by Guillermo del Toro. A bunch of Oscar nominations only strengthened my excitement. But I really didn’t expect a fantasy premise to turn into a fantasy zoophilic romance. I don’t think this is the first time this idea has occurred to somebody in America but each time it only pissed me off. I can’t wrap my head around why Guillermo himself would waste his time on a story like this. (02/20/2018)