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Based on the true story of Molly Bloom, an Olympic-class skier who ran the world's most exclusive high-stakes poker game for a decade before being arrested in the middle of the night by 17 FBI agents wielding automatic weapons. Her players included Hollywood royalty, sports stars, business titans and finally, unbeknownst to her, the Russian mob. Her only ally was her criminal defense lawyer Charlie Jaffey, who learned that there was much more to Molly than the tabloids led us to believe. (STX Entertainment)

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Kaka 

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English The She-Wolf of Wall Street. A little less wild, more restrained, laced with feminine charm, glamour and beauty throughout. Jessica Chastain plays a character that she can do and that her fans want to see her in as often as possible: a confident and ambitious career woman. But in this story she has a healthy hand and in the end she plays fair and keeps her feet on the ground. A courtroom procedural with lots of flashbacks offering several levels. The one in present time when the interrogations take place, the social probe among billionaires and their hobbies, one quite chilling act of violence and of course the emotional level. Much to my surprise, there is no love thread, which, given that this is a 140-minute analysis of one character, may be lacking, but it doesn't detract from the experience. Basically, you could say that all the slice-of-life trappings that we love about these everyday reality films are here. A bit simplistic and downplayed at times, but it still satisfactorily fulfills the checklist of attributes expected of a great film. In his old age, Kevin Costner has decided he will play only very charismatic blokes with attitude. ()

Remedy 

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English The way Aaron Sorkin works with the medium of film, script-wise, is fascinating. I understand that some may see it as Sorkin almost "raping" the film medium in places, and actually "just" pushing the envelope with extremely structured dialogue, but that would be too simplistic. Emotionally, I saw it as almost a "scientific work" at times, with surgically precise details and monologues/dialogues crammed with an incredible amount of information. The opening scene alone is a massacre and a hell of a workout in terms of your attention if you yearn to take in everything. Of course, this directorial debut isn't without its faults, because despite the polished dialogue, the whole thing loses pace in a few places and the character work is a bit underdeveloped here and there. Still, it's an incredible ride, backed up by the perfect Jessica Chastain (the MILF designation takes on a whole new meaning), who really just shines here, acting and otherwise. A strong 4 stars. ()

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kaylin 

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English This is a film about how Jessica Chastain is a great actress, but it has to be admitted that actors like Idris Elba, Kevin Costner and Michael Cera also belong here. However, Jessica stands out so much that she just outshines them. She really is more than just beautiful - she's great! This story suited her perfectly. The spitefulness of almost the entire film is pleasant. ()

Malarkey 

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English Jessica Chastain plays mostly strong female characters in recent years. Her role in Molly’s Game is similar in this aspect but at the same time it is so well done that you will be amazed. The director Aaron Sorkin put so much information into the 140 minutes of the running time that I had problems to understand it all and remember at least parts of it. The storytelling is really straightforward but on the other hand you don’t have time to get bored either. And if you get lost in all the poker terminology, one glance on Jessica will convince you that it doesn’t really matter. Thankfully there was the lawyer played by Idris Elba by her side, because when she couldn’t explain something, he did it for her with a pleasure. Molly’s Game is a great movie. It is lively, fun and it has an unbelievable story. And these films are the best… ()

3DD!3 

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English This time round, Sorkin served up his machine-gun screenplay himself and it must be said that it is Mr. Fincher’s school that had the greatest influence on his style. We jump gracefully in time, the cadence of information is textbook standard and the story doesn’t sacrifice intelligence to emotions. The actors take delight in each line and Pemberton’s music is excellent again. At last the girls have someone to look up to. Great. Table in Excel. ()

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