Mr. Mercedes

I found Stephen King's novel very intriguing, but I wasn't looking forward to the series. I'm usually disappointed by film or TV adaptations of King's books, so Mr. Mercedes was quite a nice shock. The creators managed to pull it off and everything was excellent - the cast, the atmosphere, the tension, as well as the soundtrack. Those minor deviations from the book didn't bother me in the least. I actually think some of them even benefited the story. Just like in the book, what I enjoyed the most were the mind games between Bill and Brady, and I hope the next season will be just as good. (07/25/2018)

I like Stephen King's books, I have read this one too and after the first part, I have to rate it with the highest score because it created the right atmosphere and even though I knew what it was about, the creators managed to create a pleasantly chilling tension. I am not sensitive, but I admit that the opening massacre was brutal and a raw spectacle, I do not recommend it to anyone who has lost a loved one in a traffic accident. Brendan Gleeson was excellent as always, I immediately believed in his aging detective. (07/23/2018)

After the second episode, I am a very satisfied viewer. Certainly, no one will find any frantic action here, but I didn't expect any either. Instead, the creators focused on the smoothness of the story and let Brendan Gleeson shine, who seems to be truly enjoying his role. (07/23/2018)

"I'm starting to have a strong impression that the series won't be for everyone, but I'm really enjoying it so far. It's strange that, more than the investigation of a serial killer, Hodges' interaction with his former colleagues and his surroundings has caught my attention. It's probably annoying already, but once again I have to highlight Brendan Gleeson's performance." (07/23/2018)

In the fourth episode, I went for the first time with a rating of one star below because I had the feeling that the story was slightly stagnating, and the creators focused instead on side and therefore less significant plot lines. Additionally, I almost liked Brady when I remembered how many important self-centered idiots I dealt with daily at work... (07/23/2018)

In the fifth episode, the creators once again focused on the main storyline and it paid off. The story really drew me in and I was able to enjoy the continuation of the psychological warfare between the main villain and the main hero. I was entertained from beginning to end and I traditionally praise Brendan Gleeson. (07/24/2018)

This was a peculiar episode, it had its pros and cons. A large portion of the plot was devoted to Brady's mother, but I didn't mind at all because Kelly Lynch delivered a very good performance, which gave the episode a slightly different (but high-quality) atmosphere. Holly finally appeared in the series, and I had some concerns about this character, but just like with the other characters, the creators really hit the mark and Justine Lupe was great. I perceived the frequent flashbacks negatively, and I didn't enjoy Brady's visions during his promotion interview at all. (07/24/2018)

I usually have some problems with the film (and television) adaptations of books that I have read, but I am really enjoying this series so far and I don't mind any differences. There were three episodes left, so I expected some drama, and I got it, and I know it won't get any better. (07/24/2018)

The plot did slow down a bit this time, but I didn't mind at all because the creators were able to focus on the psychology of each character. Holly is truly perfect, she was already well done by King, but the filmmakers didn't fall behind. Bill's interaction with his daughter was also interesting, but I admit that if I wanted to, I could find some flaw, but I just don't feel like it. (07/24/2018)

This time, I was not disappointed either, everything worked as it should and the creators clearly directed the story towards its conclusion. And they did it well. While the plot intensifies, the creators are very successful in gradually reducing the budget, saving at least one fee for each episode after the seventh part. (07/25/2018)

The final episode did disappoint me a little bit, but only a little. After all, I expected the last part to be slightly more significant. I didn't quite understand the strangely concluded meeting with Lou, but the outcome essentially matches the book's original version, and it even included an open ending for a sequel - "The Rights of the Finder". (07/25/2018)

As satisfied as I was after the first season, the second one was a disappointment. I wasn't that annoyed by the creators skipping the second book. What bothered me was how poor the writing was. All too often, I was bored, all too often staring in disbelief at how the rules of logic were bent, and there wasn’t much in the way of entertainment. The worst thing is that Season 3 is waiting for me now, and after this experience I’m not all that excited about it. (07/29/2020)

Two years ago, I thoroughly enjoyed the first season, so my expectations were high for the second season. However, the first episode failed to evoke the same enthusiasm. It was simply dull, lacking any momentum. The creators seemed to rely heavily on shifts between the hospital and the cemetery, a formula that felt tired and uninspired. Overall, I found myself rather unentertained. (07/25/2020)

The second episode maintained the same level of quality as the first, although it skipped the visits to the cemetery. The plot felt like trudging through a soggy field, dragging more than I'd hoped. But to be fair, the source material wasn't exactly a page-turner either. My saving grace is that I'm a relatively fast reader, but with this show, I have to put up with the slow pace. 2*+ (07/26/2020)

This time around, I felt like something was happening, even if it wasn't much. I'll take any semblance of action at this point. If there's one thing in the plot that just doesn't do it for me, it's those visits to Brady's head — they're seriously starting to grate on my nerves. (07/26/2020)

The fourth episode saw a noticeable uptick in the story's pace, complete with some thrilling Zappit action that made for a more enjoyable watch. So, consider the extra half star an investment in the series' potential for improvement down the line. 4*- (07/26/2020)

Despite a slow start, I'm beginning to see the plot gain some traction. It's just a shame about those unnecessary scenes that felt like filler to me. (07/28/2020)

What an underwhelming episode. Lou's character has become nothing more than an irritating presence, seemingly inserted into scenes for the sake of it. While there was certainly no shortage of filler content, significant plot developments were few and far between. (07/28/2020)

What a shame — under different circumstances, I would have enjoyed the episode, if not for the unnecessary antics from the creators. Some scenes were so pretentious that I could only watch in disbelief (and disgust). After thoroughly enjoying the first season, I can't help but feel somewhat let down. (07/28/2020)

It's become all too familiar for me to feel bored during the second season of Mr. Mercedes, but what really irks me is how the creators have managed to butcher the source material. The eighth episode was a dreadful mix of dull and aimless storytelling — a real disappointment. (07/29/2020)