A Quiet Place

Excellent work with atmosphere and sound, or in this case rather silence. It does not lack a few bold and juicy moments, but nothing original, just another variation of mysterious dystopian monster post-apocalyptic science fiction where something has gone fundamentally wrong and humanity doesn't know which way to go. Krasinski is certainly no ordinary routinist and has potential, but you can't win the Tour de France on a scooter. I believe his next film will be more ambitious instead of a horror one-off. (07/25/2018)

A Quiet Place has such a terribly well-constructed world, such a brilliantly layered narrative and such precisely built tension that one does not want to spoil it with nitpicking and cynical remarks. And there would be a number of them, the first of which being how suicidal it is to walk through this world with a spoiled teenager around one’s neck. However, that is not the case here and similar comments show defects in us rather than in the film. A Quiet Place may faulter in particular mishaps, but its power comes from its excellently thought-out world and its presentation through narration. And just like a slice of life from this unique world, the film is absorbing and fascinating. (05/16/2020)

A great idea which sweetened the horror waters of the year 2018. A movie where there is little talking, because it’s set in a dystopian world with an extraterrestrial civilization that destroys everything that speaks aloud. There is a whole array of logical errors, but the simplicity and originality overshadow the contents. The suspense is literally spouting from the movie and the married couple Emily Blunt and John Karsinski are truly enjoying this family horror drama. Just like the viewer, after all. Only from a slightly different perspective. (10/11/2018)

What seems to be a boosted Spielberg style family drama with a clear concept that sets the rules by inner tension in the first half (before the fireworks) is a silly survival low-budget movie with cheap spooky sequences constantly violating the rules, showing one logical lapse after another and following the scheme of genre clichés the second half (after the shower). Slowly built tension in Shyamalan style (from the times of the Signs) versus glitz and dull-acting characters pushed like puppets moving from one adrenaline-packed adventure to another. The first half is excellent, the second is solid. But they are incompatible and go against each other. This should have been either a quiet cat with soft paws or an insanely barking dog during the whole footage but it is something in between. As a result, the most impressive part is prologue, which would perfectly work as a self-sufficient short-movie; (04/30/2018)

Last of Us meets Walking Dead meets Steven Spielberg's War of the Worlds. Despite the fact that Krasinski always veers from serious tones to slightly cheesy progressions and twists, this quiet elegy gripped me from the first to the last minute. That's how Shyamalan would have done it if he hadn't gone crazy. (04/24/2018)