A Quiet Place

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Trailer 7

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Cut off from the rest of the world, a tightknit family live in constant fear of making any sound that will attract terrifying alien creatures. (Netflix)

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Trailer 7

Reviews (17)

POMO 

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English The main couple’s decision to bring a (crying) baby into the world that the movie creates for them in order for A Quiet Place to work as a suspenseful horror flick ruined it for me. The very opening scene of the walk through the woods, in which the parents let their youngest child walk unattended far behind them, indicated that there would be no hint of even basic common sense. Normally, such nonsense in movies doesn’t bother me, but here the key events in the storyline went totally AGAINST the sophistication of the director’s building of tension stemming from an interesting idea. It was painful to endure the stupidity of this movie, which I was looking forward to and which could (or should) have been perfectly to my taste. ()

Kaka 

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English Excellent work with atmosphere and sound, or in this case rather silence. It does not lack a few bold and juicy moments, but nothing original, just another variation of mysterious dystopian monster post-apocalyptic science fiction where something has gone fundamentally wrong and humanity doesn't know which way to go. Krasinski is certainly no ordinary routinist and has potential, but you can't win the Tour de France on a scooter. I believe his next film will be more ambitious instead of a horror one-off. ()

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Matty 

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English A Quiet Place is primarily an outstanding psychological drama about loss (of a loved one, one’s own voice) and the impossibility of letting go of the attendant pain (which, however, can be turned into strength, an idea on which the film’s climax is partly based). The characters have to keep all of their emotions bottled up inside, which only deepens the trauma. Their resources and manifestations of joy, which would bring them relief, are severely limited. Playing the game on which today’s society is based (because we do not want only to consume, but also to have fun) means risking one’s life. In this respect, the film is the antithesis of the dystopia of Ready Player One, which depicts a society focused solely on playing a game. The initial tragedy occurs because of a toy, the next one nearly happens while playing a board game (typically, that game is Monopoly – this is the only way that the characters can treat themselves to the pleasure of shopping). Partners can dance only while wearing headphones; otherwise the use of the technologies on which we are so dependent today is practically out of the question. Thanks to the superb actors, information conveyed in the mise-en-scène and the way the characters react in certain situations, we always understand what the protagonists are going through and what they are doing, even though there is almost no dialogue in the film. It is in this aspect that I see the film’s main element of exceptionalism. It shows what many directors have learned in (not quite) a hundred years of cinematic sound design – how a psychologically layered story can be told without words. Due to the focus on the characters, the slower middle section of the film, the woman’s decision to conceive another child (to fill the void) and some slightly sentimental moments (which, however, are disturbing only when applying a purely horror reading) find their justification. As a horror movie, Krasinski’s film is brilliantly directed and hardly allows us to breathe, even though he uses relatively well-known tricks and rarely gathers the courage to be truly silent. Not only with its content, but also its style, A Quiet Place essentially confirms that American filmmakers fear few things more than absolute silence. The film is thus not remarkable so much because of its work with silence than as a clear connection between the basic conditions for survival in the given fictional world (on must not make any louder sounds) and what the characters are going through. The fact that the film ends in the best way (without eliciting the feeling that something essential remains unexplained) compelled me to add a fifth star to the obvious four. 90% ()

Marigold 

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English Last of Us meets Walking Dead meets Steven Spielberg's War of the Worlds. Despite the fact that Krasinski always veers from serious tones to slightly cheesy progressions and twists, this quiet elegy gripped me from the first to the last minute. That's how Shyamalan would have done it if he hadn't gone crazy. ()

Malarkey 

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English A great idea which sweetened the horror waters of the year 2018. A movie where there is little talking, because it’s set in a dystopian world with an extraterrestrial civilization that destroys everything that speaks aloud. There is a whole array of logical errors, but the simplicity and originality overshadow the contents. The suspense is literally spouting from the movie and the married couple Emily Blunt and John Karsinski are truly enjoying this family horror drama. Just like the viewer, after all. Only from a slightly different perspective. ()

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