First Man

  • Canada First Man (more)
Trailer 12

Plots(1)

Director Damien Chazelle and star Ryan Gosling reteam for the riveting story behind the first manned mission to the moon, focusing on Neil Armstrong and the decade leading to the historic Apollo 11 flight. A visceral, intimate account told from Armstrong’s perspective and based on the book by James R. Hansen, the film explores the triumphs and the cost on Armstrong, his family, his colleagues, and the nation itself for one of the most dangerous missions in history. (Universal Pictures UK)

(more)

Videos (16)

Trailer 12

Reviews (15)

Malarkey 

all reviews of this user

English What comes to mind is of course a comparison with Interstellar, Gravity or, God forbid (the premise!) Apollo 11. In the first two instances, the similarities are visual while in the third case they relate to the plot. However, The First Man is still a unique film, by which Damien Chazelle managed to blow the minds of everyone who were looking forward to a typical action flick with everything it entails. Because The First Man is everything but an action flick, even though it is full of suspense. My only regret is that this film is too long. Certain dialogues could’ve used some cutting. I however liked looking at Neil Armstrong with his own eyes. Naturally the most visually compelling part of the film is its second half that beautifully shows Apollo 11 landing on the Moon. It almost makes you think that the director and cameraman actually landed on the Moon again to take these breathtaking shots. I can imagine that watching this in a cinema must be absolutely fantastic. Ryan Gosling is of course a great choice. I didn’t think he would come unprepared for his role of Neil Armstrong. Moreover, the political debates revolving around NASA were a welcome bonus. ()

Lima 

all reviews of this user

English It's probably going to get snubbed at the Oscars, given the audience ignorance and the politics the Academy has set in recent years, but for me, this is the Movie Of The Year. A technically extremely precise piece of work and at the same time an emotional ride that gives you goosebumps in the last act. In fact, I can't remember the last time a film with a scientific basis has grounded me like this. Perhaps Zemeckis's Contact, twenty long years ago. Gosling as a man who has to suppress his emotions and think coldly and rationally, otherwise he couldn't do his job, is totally accurate as an actor. At the other pole, Claire Foy is a geyser of emotion, and Hurwitz's music is energetic and intimate at the same time. This is going to be the pride of my blu-ray collection. PS: Unfortunately, there are mental gimps among us, such as the "greatest horror expert" Psychor, who vulgarly disparage human agency bought with sweat and blood. I don't know, couldn't these individuals just die so they don't poison our air? ()

Ads

novoten 

all reviews of this user

English At first glance, this is an odyssey bordering on a thriller: stark, direct, and overwhelming, where I honestly don't understand how the same Damien Chazelle who beautifully dreamed and overflowed with romantic ideas in La La Land is now sitting in the director's chair. In the narrative establishing shot, there is a pure insight into a man's painful soul, at first just wandering, then palpable, then ultimately irreversible – and that is such a force in a silent moonlit landscape that it outshines even the formally perfect aerial sequences. Ryan Gosling's unfathomable gaze into emptiness hasn't been such a good fit in a long time. ()

Marigold 

all reviews of this user

English A monthly Elegy. A film that is much more about fatherhood than space exploration. After all, it is just a place where our thin and frail shells throw away their sadness and anxiety. Nothing took me apart this year like First Man. A virtuoso mosaic of sharp, detailed, claustrophobic fragments in super 16 and IMAX width, which perfectly flushed out my sensory receptors. Gosling can channel melancholy with his eyes, and Claire Foy's performance is stronger than gravity. This is what Interstellar was supposed to be. For me, this the greatest film experience of 2018 and the perfect reparation for La La Land. ()

3DD!3 

all reviews of this user

English A realistic biographical drama with emphasis on what must be sacrificed in the interest of science. In terms of style, it’s a cross between Interstellar and The Tree of Life. Gosling’s is excellent as Armstrong, an intelligent guy who can look after himself, although with dulled feelings after of all the death (his farewell with his kids using sentences intended for a press conference is a good example). During the ending, Chazelle does not stoop to giving us a climax with great pathos, where the hero and his friends achieve the goal, simply because most of his companions have been killed. The shots from the Moon are duly impressive and the effect is exquisite. Primarily, they aren’t spoiled by any flag planting. Beautiful music. Excellent. I see the Moon, the Moon sees me... ()

Gallery (45)