First Man

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Director Damien Chazelle and star Ryan Gosling reteam for the riveting story behind the first manned mission to the moon, focusing on Neil Armstrong and the decade leading to the historic Apollo 11 flight. A visceral, intimate account told from Armstrong’s perspective and based on the book by James R. Hansen, the film explores the triumphs and the cost on Armstrong, his family, his colleagues, and the nation itself for one of the most dangerous missions in history. (Universal Pictures UK)

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Malarkey 

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English What comes to mind is of course a comparison with Interstellar, Gravity or, God forbid (the premise!) Apollo 11. In the first two instances, the similarities are visual while in the third case they relate to the plot. However, The First Man is still a unique film, by which Damien Chazelle managed to blow the minds of everyone who were looking forward to a typical action flick with everything it entails. Because The First Man is everything but an action flick, even though it is full of suspense. My only regret is that this film is too long. Certain dialogues could’ve used some cutting. I however liked looking at Neil Armstrong with his own eyes. Naturally the most visually compelling part of the film is its second half that beautifully shows Apollo 11 landing on the Moon. It almost makes you think that the director and cameraman actually landed on the Moon again to take these breathtaking shots. I can imagine that watching this in a cinema must be absolutely fantastic. Ryan Gosling is of course a great choice. I didn’t think he would come unprepared for his role of Neil Armstrong. Moreover, the political debates revolving around NASA were a welcome bonus. ()

Marigold 

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English A monthly Elegy. A film that is much more about fatherhood than space exploration. After all, it is just a place where our thin and frail shells throw away their sadness and anxiety. Nothing took me apart this year like First Man. A virtuoso mosaic of sharp, detailed, claustrophobic fragments in super 16 and IMAX width, which perfectly flushed out my sensory receptors. Gosling can channel melancholy with his eyes, and Claire Foy's performance is stronger than gravity. This is what Interstellar was supposed to be. For me, this the greatest film experience of 2018 and the perfect reparation for La La Land. ()

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EvilPhoEniX 

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English I was a bit skeptical, but this is a film that should be seen and as a result I am pleasantly surprised. This is my first film experience with Damien Chazelle, his work hasn't interested me much so far, but he's getting my attention with this film. First Man is an engaging biopic of Neil Armstrong and it was very nice to see how everything works behind the scenes in this one. Ryan Gosling is excellent as always and the trip to the moon is nicely paced and suspenseful. I wasn't downright bored despite the slower pace, but if I had to choose from recent great sci-fi to watch again, I'd probably prefer The Martian and Interstellar. Decent. 75%. ()

JFL 

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English First Man is an enthralling evocation of the time when spaceflight was not a matter of course and undertaken at the whim of millionaires, but rather an uncertain enterprise that required sacrifice and tremendous determination. At the same time, it is a perfect example of how to build an absorbing and thrilling narrative from a story whose end everyone already knows. ()

novoten 

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English At first glance, this is an odyssey bordering on a thriller: stark, direct, and overwhelming, where I honestly don't understand how the same Damien Chazelle who beautifully dreamed and overflowed with romantic ideas in La La Land is now sitting in the director's chair. In the narrative establishing shot, there is a pure insight into a man's painful soul, at first just wandering, then palpable, then ultimately irreversible – and that is such a force in a silent moonlit landscape that it outshines even the formally perfect aerial sequences. Ryan Gosling's unfathomable gaze into emptiness hasn't been such a good fit in a long time. ()

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