In the Fade

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Inspired by shocking real-life events, the film tells the story of Katja (Diane Kruger), whose life is torn apart when her husband and young son are suddenly killed in a bomb attack. A police investigation points to a pair of young neo-Nazis as the key suspects, but when a lack of evidence fails to fully incriminate them, Katja is forced to take matters into her own hands and her hunt for justice begins to take increasingly dangerous and unexpected turns. (Curzon Artificial Eye)

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Marigold 

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English A powerful experience that isn’t carried by a precisely researched, but still a bit manipulative screenplay, but above all humble directing and a fantastic performance by Diane Kruger. Thanks to her, the "silent avenger" becomes a being of flesh and bone, with whom we can sympathize until an extremely shocking decision at the end. The subject of right-wing terrorism may act as an irritant in a time of Islamist assassins, but Akin has dealt with a completely relevant subject - and he has dealt with it very well. ()

Filmmaniak 

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English This is a completely precise work in terms of directing and acting, this time condemning racial hatred through the motif of right-wing terrorism. The story is slightly manipulative and in the end a bit hurried and therefore not completely satisfying, but everything until then is thought out and written well. The strong theme is used in a thrilling, emotional and brilliantly escalating storyline, and Diane Kruger really does an amazing job. There are many other films about this topic, but that doesn't matter. Quality is what’s important. ()

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gudaulin 

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English Diane Kruger is indeed an interesting actress and she immersed herself in her role with great enthusiasm, but from my point of view, this is the least attractive film from Fatih Akin's workshop. He presents his audience with a story with clearly defined and polarized sides of the conflict. On one side, there is a repulsive manipulative lawyer representing equally repulsive murderers reduced to typical figures that are in no way "worthy" opponents for the main protagonist. The director's approach to the material is instructive, precisely determining what we should think about the film characters and what attitudes to hold. I prefer creators who provide me as a viewer with more space for reflection on the problem. The screenplay suffers from logical flaws in the trial phase in order for the screenwriter to steer the plot where he wants it to go. And I haven't even mentioned the ethically very problematic ending, which moves the film to a different level. Overall impression: 55%, and that's only while taking into consideration Diane's commitment... ()

POMO 

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English If you watch it just once, In the Fade is a decent drama, but without a unique style or any deeper messages despite the graveness of its topic. I found the ending to be too simplified, serving only as the easiest way to get out of the situation without leaving the audience with any lingering impressions. [Cannes] ()

Kaka 

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English A solid family drama that, had it been picked up by a capable American independent film maker, could have been a smash hit. Because firstly, German is a terrible language and at times a slight barrier. Secondly, the decent opening and the fantastic performance by Diane Kruger is dragged down by a strange ending that is supposed to be artistic and break conventions, but instead doesn't correspond with the setting of the main character. The scenes in the courtroom, where two brilliant lawyers nonchalantly duel with each other, remain the most effective and by far the best. ()

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