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Susan (Amy Adams) is living through an unfulfilling marriage when she receives a package containing a novel manuscript from her ex-husband, Edward (Jake Gyllenhaal). The novel is dedicated to her but its content is violent and devastating. Susan cannot help but reminisce over her past love story with the author. Increasingly she interprets the book as a tale of revenge, a tale that forces her to re-evaluate the choices that she has made, and reawakens a love that she feared was lost. Also starring Armie Hammer and Michael Shannon, Nocturnal Animals is a thriller of shocking intimacy and gripping tension. (Fabulous Films)

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Reviews (14)

Malarkey 

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English There’s power in simplicity. I guess that’s how I would evaluate this film after watching it. At the beginning, it offers fairly strange opening credits, through which it tries to create an atmosphere of mysticism and I was a bit worried that what I might be getting was another successor to David Lynch. However, I was quite lucky that this didn’t happen and the slow-paced life of the protagonist, who is portrayed by Amy Adams, began to unravel. But then the story jumps forward and I was watching a whole different story penned by Jake Gyllenhaal. And even though the two stories didn’t actually intertwine, there was such an interesting ending that I actually had to admit that the point couldn’t have been any better. The film looks mysterious but in the end it is a very solid drama. And by the way, Michael Shannon is really good in this one! ()

3DD!3 

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English Bulls-eye. I seemed like I was watching something that I had written. Ford does some fantastic work with narrative levels. The message (even that of the sub-story) isn’t revolutionary in any way, but the journey toward it is thought out down to the smallest detail. The same as the contrast between good and evil, between the decadent and the ordinary inside you conceals an unusual magic reality. Both Gyllenhaal and Adams are excellent. Fantastic music. Plus stylish opening credits with the current face of America. ()

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Kaka 

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English A breathtakingly deceiving film, seemingly over-stylised and focused on form and material things, coldly pragmatic and ruthlessly violent. At the same time, it is a subliminally disarming probe into the reality of today's world with a bunch of fundamental life questions in the sense of rightness/wrongness of living contemporary life, dealing with important goals, directions and opinions that influence the future and define the present of man. A film as sophisticated, wise and extremely inaccessible to the audience as Ridley Scott's The Counselor. Script-wise, however, it is even more sophisticated, which is why it has that extra bit in the rating. Again, some users' allusions to snobbery, etc., stem from a misunderstanding of the film and thus a misunderstanding of the ideas and message it conveys. ()

DaViD´82 

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English Beautifully shot and stylized, outstanding music and magnificently performed, bombastic and snobbish nothing. The worst thing is that the final unraveling scene (and it doesn't matter which of the two or three possible interpretations you chose) does not justify the would-be ingenious formal construction as a mindfuck. It rather fully shows that instead of three different story line layers, one main story line would be more than enough to achieve the same effect and convey the same message (for all three possible messages). However, introductory hardcore subtitles should be kept as they are the best and most subversive part of it. ()

POMO 

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English "Enjoy the absurdity of our world. It's a lot less painful. Believe me, our world is a lot less painful than the real world." This is what Refn tried to do in The Neon Demon and failed. Nocturnal Animals is a powerful story of betrayal and revenge that avoids arousing straightforward emotions in the viewer, yet remains engaging and overwhelming. It is a contrast of the perfect contours of the safe but cool environment of Los Angeles high-society with the whimsicality of the dusty Texas desert full of helplessness. A collision of the emptiness of the consumer world with the most essential values in life. Regretting making the wrong decisions in the past. Will the movie ever show us the character that the story is actually about and we feel so sorry for? That’s the painful question that keeps haunting the viewer until the final scene. American academic art, made livelier by the most pleasurable acting performances. And a soundtrack in the style of Bernard Herrmann. ()

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