Mandy

It's like Jodorowsky fathered a child with Panos's daddy George. Definitely a distinctive film, visually impressive, from a man with a vision. Interesting color palette, functionally applied filters, but at least in the first half (which many here criticize, but I liked it better) brimming with atmosphere and remarkable visual ideas, all underscored by a unique soundtrack. The second half is grindhouse carnage, uncompromisingly straightforward and simple, but still retaining a visual identity. The half-deranged Cage is a casting triumph, Riseborough has something magical in his intriguing, deadpan face, and Roache is a charismatic villain but also a woefully comic figure, and this is not an easy thing to grasp as an actor. Mandy is a remarkable film, it's not for everyone, certainly not for the mainstream, but it beats with the heart of a filmmaker who’s not bland and loves to tell simple stories through atmospheric imagery. PS: I enjoyed it even more on a second screening. This film is so out of step with 99% of filmmaking, and yet it's not stupid; hats off to it. I'm not surprised by the worldwide enthusiastic critical response (currently 8.2 on Metacritic) and I’m happy for Cosmatos from the bottom of my heart. (09/15/2018)

Of course… who else should star in this movie if not Nicolas Cage. He is currently the only Hollywood actor who turned acting into a completely extravagant experience. If he is in pain, physically or mentally, you’ll simply feel it too. And since he keeps appearing in films which are outside the norm, you can count on Nicolas Cage being in complete mental and physical pain. When it came to the execution of the movie, I was quite upset. The first half was mostly for show. The director played with purple filters and half the time I couldn’t even see what was going on in a scene. But the important thing is that it is glamorous. The second half of the movie was hardcore, though. That’s actually when the dark side of Nicolas comes to life together in a surreal ride full of such shit you won’t believe your eyes. An unbelievable crazy trip. Again, one of those films that try to shock you creatively and it is pretty successful in doing that. (11/03/2018)

A Ken Russell for the 21st century, Cosmatos is my nightmare come true. I was stunned by the film in the first ten minutes and could physically feel my pupils dilate while watching it. Ignore the bored yawns of impatient kids gorging themselves on meatloaf, Cage, and retro, this is the flashback to the 80s you want to have. Foggy, surreal, dangerous, and strangely distant. Except I have to figure out why the folks from the Karlovy Vary Film Festival asked me back then to translate some subjects through the lens of a Dungeons & Dragons player, heh. (01/08/2019)

Well, how to approach this? On the one hand, we have impressive formal confidence that warrants praise. All those colour filters, sound deformations and blurry visuals look a bit cheap and become boring after a while, but they do build a sufficiently thick atmosphere to overcome the initial monotonous pace and WTF dialogues. The insane villains felt annoying rather than terrifying and the logic is something nobody thought too much about, but that’s not what this is about; this is a film about Nicolas Cage coming out of a hallucinogenic haze wielding a home-made mace to massacre religious fanatics with a smile on his face, and this is something that’s fits perfectly not only Cage, whose performance is flawless, but also Cosmatos, someone who doesn’t do routine and presents a chase after cult-nuts as an authentic road to hell, and he deserves all my sympathy for that. For the time being, 70%, and I’m keeping the fourth * for next time. (10/29/2018)

Mandy is a hallucinogenic grindhouse revenge bloodbath, at the beginning of which there is a love story engulfed by cosmic darkness. It is surprisingly compelling and conceptually cohesive, given the cheap filters and B-movie budget. It is also pleasantly refreshing in the context of the artsy festival mood. The highlight, of course, is Cage drinking in white shorts and an orange t-shirt with a tiger emblazoned on it. [Cannes] (05/14/2018)