Happy Death Day 2U

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Jessica Rothe leads the returning cast of Happy Death Day 2U, the follow-up to Blumhouse’s (Split, Get Out,) surprise 2017 smash hit of riveting, repeating twists and comic turns. This time, our hero Tree (Rothe) discovers that dying over and over was surprisingly easier than the dangers that lie ahead. (Universal Pictures International (UPI))

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Reviews (8)

Othello Boo!

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English What the fuck, just shoot yourself right now. If the plot itself is trying to transfer the heroine's fluster at finding herself day after day in a horribly lit world full of completely inept, unfunny assholes (the Dean!) who constantly have to drink, eat, and spout utterly terrible nonsense while doing so, my applause couldn't be slower. It's not, of course, because we're just talking about a morbidly stupid pretense of fun that's shot like a sitcom for people who find Big Bang Theory funny. For example, three-quarters of the film is medium close-ups on faces in such narrow focus that if the actor moved his head back 5cm he'd become a fuzzy pink flush. It's painfully unentertaining, overacted, unfunny, and off-kilter even in terms of its internal universe. The Czech title ("All the Worst") is also a review. ()

kaylin 

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English Even though I find elements in the American film Happy Death Day 2U that bother me, especially the exaggerated sci-fi and the unnecessary explanations, even the second time around it is a film I had fun with and enjoyed watching. The slasher is in the background, but it doesn't matter, because this is a film that doesn't get boring and, a bit surprisingly, it turns out that basically, the same thing can be good even the second time around. ()

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Stanislaus 

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English The second encounter with Tree, who once again finds herself in a time loop in which she keeps dying, is more daring script-wise than the first installment, which has both its advantages and disadvantages. The beginning of the film is a bit awkward, but then the merry-go-round of suicides in search of the truth kicks in and the plot picks up. I liked that they didn't mechanically copy the first film and tried to go a little further, though at times it may have been a little over the lineit. The identity of Baby Face and his motivations weren't as shocking as in the first one, but that is compensated by the many black-humored moments. I didn't even mind that they played on emotions at times ("what if"). It's also worth waiting for the post-credit scene. ()

D.Moore 

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English The first part was more of a sexy black comedy for me than a horror or slasher, so I'm glad that Christopher Landon strengthened this note in the sequel, because fun is what matters above all. Another film would perhaps build a plot with time loops and paradoxes in order to amaze the viewer, but Happy Death Day 2U is "just" preparing the scene so that it can entertain, entertain and entertain, which it does. Jessica Rothe is just fantastic, whether she's angry, committing suicide or reuniting and saying goodbye to her mother, and the other characters haven't come out empty, either. What's more, the new group has a clear and justifiable place in the film. The epilogue seems to indicate the possibility of the third film, but at the same time we can take it as a joke at the end. I would like to see the third part. ()

EvilPhoEniX 

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English Christopher Landon and sexy Jessica Rothe are back together in a time loop, but this time it's much more complicated. The effect of the first film is sadly gone, and the lack of gore hurts the sequel, as there was a lot of potential to spawn a new slasher series in the vein of Scream, but that's not going to happen. The second film made twice as much as the first and we probably won't see a third. Fortunately, the film is still entertaining, Jessica Rothe is fun (the suicide scene a clear highlight), the supporting characters are likable, Baby Face appears a little less than in the first installment, and the final twist is again surprising, though not as shocking as the first. Creative, entertaining and at times nicely suspenseful, and as a horror film for youngsters, it's enough. 65% ()

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