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In this next chapter following the 2014 hit, legendary hitman John Wick (Keanu Reeves) is forced back out of retirement by a former associate plotting to seize control of a shadowy international assassins' guild. Bound by a blood oath to help him, John travels to Rome where he squares off against some of the world's deadliest killers. (Lionsgate US)

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MrHlad 

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English Disappointment. Not big, but disappointment nonetheless. John Wick 2 is still way ahead of other action movies, but in the fights and the shootouts, it sometimes runs out of breath and starts to repeat itself a little. Fortunately, the lead is so great that it doesn't matter that much. The bigger problem is with the story, which is taken deadly seriously this time, lacking the lightness and wit of the first one, and, above all, going in a direction that I personally don't consider to be completely fortunate. While John Wick used to be a myth, a legend, and a specter whose name terrified every mafia member, now he is just one of many assassins who lost their uniqueness somewhere between the first and second film. The myth is gone. Moreover, the film thoughtlessly divulges all the secrets of the world of assassins, which was previously so attractive precisely because it kept those secrets. Quite a shame. John Wick 2 is an above-average action movie that unfortunately comes with a boring story that somewhat loses itself. Oh, and also with a rather weak lineup of antagonists. Sorry, but next time I want more. Although maybe I'll prefer to wait less. ()

DaViD´82 

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English What is the second Raid movie compared to the first movie, is the first chapter of John Wick compared to the first one, let´s put it this way, creators learned from their own mistakes. We have not had the opportunity to watch something like this in Czech cinemas for a long time, something with such a clear, diverse (the monotony of action of the first movie is long gone) and above all an imaginative composition, aesthetics and choreography of true contact action scenes. And if, in addition, the "obligatory plot frame as a makeweight" is not really a make weight, then what more to ask for an uncompromising straightforward action from the old school? Perhaps just an imaginary icing on the cake in the form of graduating of the memorable final shootout in the gallery also of the equally memorable one-on-one duel, third round of "Wick vs. Cassian" would call for it. ()

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Matty 

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English Poetry in motion. John Wick is a delightfully straightforward action movie that is constantly surprising and incredibly stylish with every shot. It is a film of movement that should theoretically satisfy fans of Buster Keaton, Akira Kurosawa, Sergio Leone, John Woo and video games. The comic-bookishly exaggerated world with a taciturn western hero (who, however, is skilled at expressing himself with a pen) makes more sense than in the first film thanks to the elaboration of the mythology, but a halting rhythm is the price paid for the second instalment’s longer runtime. The wheels come off the film for a moment after Laurence Fishburne, the king of New York vagabonds, appears (too late) on the scene (I believe he will be better utilised in the sequel) and just needlessly burns minutes towards the end (the return “home”). Though the first John Wick wasn’t so long that it would start repeating itself, and I will watch it again with greater enthusiasm, but from now on I will be happy to use the second instalment of John Wick, alongside Sherlock Jr., as a prime example of the fact that action doesn’t have to be created only through editing, but also through movement in thoughtfully composed shots. Who would have said a few years ago that the most respect-worthy action hero of the 21st century, whom you believe has a love for a nameless dog, distinctive taste in clothes, an understanding of intelligent modern art (you never know when a properly adjusted mirror might save your life) and the ability to shoot up the entire Camorra without batting an eye, would be Keanu Reeves in his fifties? 80% ()

3DD!3 

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English This sequel is visually more finely honed. It doesn’t suffer the usual pitfalls of sequels, while it enjoys all of the advantages. There’s more action, at least equally good, ingenious and surprising, even though it has lost the moment of surprise that part 1 had. The gloomy feeling remains, the creators not allowing themselves to be sucked into mistakes. Reeves enjoys every minute in this role. Lots of powerful moments… I want to visit Rome this year. ()

POMO 

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English Had the best scene been at the end and not in the first half, John Wick 2 would have been the best action movie ever, at least for me (to this day, that title belongs to Face/Off). The set design, editing and camerawork capturing all of the events in Rome are the pinnacle of the genre, overshadowing the best of John Woo. The visual elegance of the original film universe and its dark and gritty tone. The disarming cadence of luxuriously edited and properly brutal action. Dignity and detailed portrayals of all characters. Fatal, neo-noir Keanu Reeves, who seems impossible to dislike, both as an actor and as a person. This movie was a perfect fit for me; I enjoyed every sequence of shots, whereas in other action thrillers, I barely get to enjoy the climax. A rare treat I will be watching on repeat. ()

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