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Pacino is heartbreakingly real as Sonny, a smart yet self-destructive Brooklyn tough whose plan to rob the local bank to fund his male lover's (Chris Sarandon) sex change goes absurdly wrong. Accompanied only by his doltish accomplice, Sal (John Cazale), Sonny realizes that all the money had been removed before his arrival, and decides to kidnap a handful of bank employees instead. As the lengthy August day drags on, Sonny and hordes of local police, led by Sergeant Moretti (Charles Durning), make little progress, and eventually Sonny's wife and lover are brought to the scene. (official distributor synopsis)

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Reviews (11)

DaViD´82 

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English An instruction video about how never under any circumstances to proceed during a bank robbery. Al Pacino excels in the main role, demonstrating all typical beginner’s mistakes. Mainly by completely outshining all the others with his performance. Which, in view of how interesting most characters are, is rather a shame; twice as much with respect to Cazale’s role. ()

POMO 

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English Pacino turns in a great performance in a heist movie with a banal plot. Or am I, as a viewer, supposed to be thrilled by the twist when a young man in a bathrobe appears on the scene as his wife, for whose sex change Pacino is doing all of this? His real wife and especially his mother just complete the bizarre circle of characters that make this an unintentional comedy. The depiction of Brooklyn and the situation in the US at the time is praiseworthy, but as a human drama, this classic didn't impress me. ()

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3DD!3 

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English I promise will never complain about my bad luck again... Sidney Lumet made a perfect crime drama about one not exactly ordinary bank robbery, that in certain moments is more like a comedy. The role of Sonny Wortzik is one of Al Pacino’s greatest creations ever. He gives a perfect performance of an absolute wreck desperately trying to get the situation under control. John Cazale as Sal is pleasantly inconspicuous and for the whole time it’s apparent that he is consumed by fear. And it seems that the guy at the end in the minibus truly was Lance Henriksen. The screenplay is flawless and goes to show that even such a classic plot like a bank robbery can be turned into something so “different". ()

Malarkey 

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English One Wednesday morning, Al Pacino woke up as a bank clerk whose world had crumbled apart. He said to himself “screw it” and he decided to rob his place of work and to exchange the money for cigars, rum and a hut made of straw to sleep in in Cuba. He got himself two accomplices: one flees before the action starts and you feel sad about the other one – even more than you feel sad about the movie. After a botched robbery, the two criminals remain closed in the bank along with several employees, the bank is surrounded by about five dozen cops and the social survey of year 1975 starts. And since the movie stars Al Pacino in the leading role, you can bet that you won’t be bored. ()

Kaka 

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English Nowadays it's flat, but in its day it was a very conscious social satire in an unapologetically attractive take on bank robbery. It's incredible how films have swelled and got incredibly big inwardly over the past few decades. Here, the would-be subtle digressions into gay sexuality and political shenanigans are so blatant and simple in hindsight that it doesn't quite hold the viewer's attention, and when they do it is with a considerable smirk. Sidney Lumet can't be denied a certain authenticity and, more importantly, an effort to make everything fit together perfectly. One thing, however, hasn't changed at all in all that time until today: Al Pacino's acting. ()

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