Baby Driver

Baby Driver it is sympathetic and entertaining summer fun, but it is not directed, or (mainly) written, quite perfectly. Compared to Wright's older British work, it is also more trimmed and lacks perspective. However, the entire film is based on the creative intention to edit it all into songs that always play in the protagonist headphones. One can only praise the director for being able to so excellently edit to the rhythm of the music not only the action scenes, shootouts and car chases, but also how a character walks down the street or plans a bank robbery. Content-wise, there is nothing particularly demanding, but as a silly action comedy, it's a fair bit more imaginative and entertaining than the last episodes of The Fast and the Furious. (07/11/2017)

Drive but for kids and teens who can't yet read between the lines of a movie and prefer, ideally, plenty of pop and an attempt at cool action scenes with characters you remember by their hairstyles and clothes, not by what they do or the attitude they represent. The cast is stellar, too bad about the untapped potential, though. Sloppy in every way. (09/30/2017)

For the first time, I was genuinely looking forward to an Edgar Wright film, but this ride doesn't just hurt the eyes, it hurts the head. I don't understand the world in which the story takes place, and it seems detached from all possible realities and even genres. Supporting characters change their essence in a second, moods clash unpleasantly, and at the end, there are so many misgivings that only the sympathy towards some members of the talented cast saves the average. However, I am most disappointed by the so heavily promoted "musical" aspect of the film. The fact that there is an endless number of songs in the film, which simply play in the background of the scenes with Baby often humming them, simply doesn't make it a musical. The occasional gunshot or impact that fits the rhythm is a nice idea, but it becomes tiresome by the second scene. All playfulness remains surprisingly spasmodic. (08/24/2017)

A scented pop escapade with quite an effective rhythm that alternates dynamic and conversational scenes, whose greatest asset is the thoughtful editing and the movement of the camera and the characters around the mise-en-scène, thanks to which even the seemingly slower scenes don't hinder the pace. But finding a single passage that I would want to rewatch in the future, or a single twist that I would find more interesting than driving a car on our highways, no way. The best character is hands down the wisecracking Spacey (the forcibly cool Fox didn't catch on), the funniest scene probably the most static – a crime scene inspection with an eight-year-old. Wright may have the craft down and the individual details figured out, but this time he just doesn't entertain with story or characters. 65% (01/05/2018)

Edgar Wright is a pro. Never mind what he’s filmed before; now, with his quick-fire editing and love of music, he’s actually managed to film one of the best gangster movies in a while. When I was watching it, I truly didn’t even care how illogical it was at times. I was enjoying an action comedy so perfect that I doubt I’ll get a similar experience within the next five years until Edgar comes up with something new. And you realize that once you hear high-quality music in the background of a machine gun firing off. You also realize it as the music gets intense when Ansel Elgort’s having his life-changing moment. He might be just a twenty-three-year-old pipsqueak, but after half an hour, I finally got used to him; because beneath the rough layer of toughness and arrogance, there’s a boy who’s lived through a lot. And that’s getting me started about the story, which isn’t exactly any good, but I didn’t even expect it to be. This movie was filmed to be visually effective and to be a conscious homage to all the (not only) Guy Ritchie gangster movies. If Simon Pegg and Nick Frost were starring in this, I think it could even be another addition to the Cornetto saga. But this way, it’s “just” a simple, but highly functional movie. That’s exactly what I expected from Edgar Wright and it’s what I got in the end. Thank you for an amazing experience. At times, I was thinking that I’m not gonna get a similar experience nowadays. The editing combined with the music – absolutely awesome. (08/20/2017)