Star Wars: Episode VI - Return of the Jedi

  • USA Return of the Jedi (more)
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Luke Skywalker, Princess Leia, Lando Calrissian and their small army of friends rescue Han Solo from the clutches of the menacingly ugly Jabba the Hutt and go on to do battle with the Empire, even after Darth Vader has broken off in his own rebellion. (official distributor synopsis)

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Reviews (11)

J*A*S*M 

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English A pretty uneven climax to the most overrated story in the history of cinema. The scenes with the Emperor and Darth Vader are great, the events on the forest moon are unnecessarily ruined by the childish Ewoks, and the opening half hour in Tatooine is almost unbearable. It’s decent fun, but putting Star Wars at the level of other fantasy and science fiction worlds is way too much. ()

JFL 

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English The conclusion of the saga brings the return not only of the titular Jedi, but also of Lucas’s lack of seriousness, as well as his playfulness and naïveté. Though fans don’t want to admit it, the frolicking with the Ewoks was not a misguided diversion or a departure from the intended development of the style. On the contrary, The Empire Strikes Back is the anomaly in Lucas’s fairy-tale space opera due to director Irvin Kershner’s fanfiction approach. If the fifth (originally second) episode, constructed the pillars of Star Wars fandom, then the sixth (third) inevitably arouses the resentment of fans, as the style reverts back to the naïveté of the first film, as it literally states that it is targeted at children and inadvertently undermines everything that is sacred to the fans – an example illustrating all of this is Boba Fett, who is transformed from a cool badass into a ridiculous fool who suffers a belittling and undramatic demise. The greatest hatred has been borne by the cute Ewoks, who have been bumped out of first place on the fans’ hitlist only by Jar Jar Binks. The Ewoks became the personification of the series’ childishness and thus the embodiment of Lucas’s supposed betrayal of his supposedly adult fans. But as frightful as it sounds, if anyone deserves to admonished, it’s Irvin Kershner, who did the worst thing possible – he showed the potential that the Star Wars saga would have had if it hadn’t been in the hands of George Lucas, who always conceived it as a spectacular sci-fi fairy tale for the whole family. ()

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Marigold 

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English This film seems to be setting the scene for the infantile boom from Episode 1, yet the ending and fateful duel with Darth Vader and the Emperor are among the highlights of the series. It is simply clear that Lucas was slowly succumbing to the size of his fiction world and its possible flexible adaptability to viewers of different ages. A slightly weaker link, yet he still has enough to keep in touch with the peak of science fiction... ()

Stanislaus 

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English With Return of the Jedi, the Star Wars saga reaches its climax, and the film's story takes on the highest quality and consistency. For me, the third (sixth) episode of Star Wars is the best ever made. Everything is perfect, I wouldn't want to repeat myself, but the plot, the special effects, the production design, the music, the costumes and make-up effects are (for their time) flawless. In short, an incredibly spectacular ending to the most famous space saga that deserves one of the brightest spots in cinematic history. ()

novoten 

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English The Skywalkers definitely don't limp to the finish line, but there are a few stumbles along the way. The very slow introduction of the main characters on stage, in fact, misses the desired effect, and it's not until Luke takes the lightsaber in his hand that I finally got the atmosphere of the classic Star Wars. However, what The Return loses in the beginning, it gains in the end. The final hour with the ultimate clash of lightsabers, non-stop action, last revelations, and inevitable goodbyes captivates and moves at the same time. ()

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