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Two fathers: Michael Sullivan, a hit man for the Irish mob in Depression-era Chicago; and Mr. John Rooney, Sullivan's boss and the man who raised him as a son. Two sons: Michael Sullivan, Jr. and Connor Rooney, each desperate to earn his father's favor. Jealousy and competition put them all on a collision course, ultimately bringing Sullivan's work into his private life and leading to the death of his beloved wife and youngest son, Peter. Now Michael Sullivan and his surviving son are set on a journey instigated by tragedy and fueled by revenge. (official distributor synopsis)

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Reviews (13)

Necrotongue 

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English Road to Perdition is another film with my favorite theme. As Lord Vetinari used to say, if we can't eradicate crime, at least make it organized. The film had a great atmosphere, Tom Hanks' performance was excellent as usual, Jude Law was as pleasant as a bucket of slime and Paul Newman gave as fine a performance as Tom Hanks, as expected. I have only two gripes. It was crystal clear how it was going to end. I’m also not sure how it was possible that after the bullet hit the window, blood splattered the glass, but the projectile somehow mysteriously disappeared. ()

3DD!3 

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English Thanks to Mendes, this atmospheric gangster movie is quite untraditional (for the genre, not for Sam) in terms of visuals and is more colorful than usual. Sort of unusually “beautiful", but still dark. Excellent acting and that revolting creature Jude Law got that trick with the coin down to a T. Road to Perdition has several extraordinary scenes, but Thompson in the rain is enough to give you a heart attack. ()

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novoten 

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English The best film of Sam Mendes and an absolute top in the gangster genre. The atypical casting of Hanks as a dark hero is an ideal counterpart to Newman's tragic boss, and his journey, fearlessly mowing down enemies led by perfectly slimy Law, is additionally captured by an amazing camera (see the unforgettable arrival in Chicago) and supported by impressive music. An underrated film. ()

gudaulin 

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English Filmed based on the successful comic book series by Max Allan Collins. Sam Mendes aroused such expectations among critics and fans with his American Beauty that he would not be able to satisfy them no matter how hard he tried. From my perspective and after sober consideration, I prefer Road to Perdition. Clearly, in terms of material selection, it was an obvious bet on certainty, but with American Beauty, that calculation was also, albeit more sophisticated. Mendes' gangster film is a compact film in every aspect, with perfect camera work, a strong story, and charismatic characters. Comparing Road to Perdition to what I've seen in the past year, I have no choice but to raise my rating to five stars. Overall impression 90%. ()

DaViD´82 

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English Or: How Even the Most Direct Road to Perdition Can Lead to Movie Perfection. A visually indescribably atmospheric watch. Precise acting, perfect camerawork and faultless and inventive directing. Sam Mendes filmed so far the most faithful adaptation of a comic book to come to the movie screen so far. Although the storyline is simple, that’s where its strength lies. It could be criticized for being a wonderful shiny load of nothing about father and son finding a way to each other, but that’s not the feeling I get from this. Quite the contrary, for one thing, the scene in the rain is now in my top ten best scenes ever. It just has everything. From emotions, through marvelous production design, immense atmosphere to the actors. And the entire movie is like that, just perhaps not so intense all the while. And that’s pretty good, don’t you think? ()

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