Conan the Barbarian

The first quarter of an hour is an excellent prologue. But then that prologue never ends and the film turns out to be a two-hour, dull and lifeless, albeit visually impressive music video set to Basil Poledouris’s exceptional soundtrack. A film in which every shot lasts five times longer than was really necessary. (05/27/2002)

I just now realized that I've never actually seen the whole of Conan the Barbarian. I only remember the movie up to the point where they steal the Eye of the Snake, but after that, I don't remember anything. I finally corrected my mistake and I must say that I enjoyed the film a lot. Excellent characters, great music, a fantastic setting, and effects that are excellent in places. And a pretty classic Conan story to boot. (10/20/2016)

A solidly shot, grand-looking fantasy film, with a stunning production design and one of the best musical scores. Basil Poledouris created a captivating epic music that ranks among the highest peaks of his work. The legendary Arnie is fairly bearable as Conan, he looks better in the fight scenes than in the dialogues, but that is nothing new. (09/11/2005)

Another overrated movie, in which only the music and lavish production are interesting, and it depends on each individual how willing they are to appreciate these two factors. The plot is shallow and the acting performances are poor even in the case of otherwise quality actors. The direction is also not worth mentioning. Conan the Barbarian looks up to the peaks of the genre, such as The Lord of the Rings trilogy or the older Excalibur, from a great distance. If nothing else, it is a positive thing that the role of Conan did not require any acting skills from Schwarzenegger, so in retrospect it is one of his best roles tailor-made for him. Overall impression: 40%. (01/13/2009)

Weapons clanging and blood splattering in a monumental-looking, fantasy film. Arnold’s acting may be as stiff as a month-old load of bread, but I can't imagine anyone else as Conan. The film has a wonderful atmosphere of ancient times and Robert Howard can rest in his grave. What elevates it to almost a work of art is the – amazing, wonderful, fantastic, brilliant, monumental (take your pick) – soundtrack by Basil Poledouris. I haven't heard, and probably won't hear, anything better in the field of film soundtracks, and it's not just my opinion. If you haven't heard it, or don't have the CD, definitely get it and just enjoy it. (04/20/2003)