Cinematography:
Dean SemlerComposer:
Maurice JarreCast:
Mel Gibson, Tina Turner, Bruce Spence, Frank Thring, Angelo Rossitto, Justine Clarke, Tushka Bergen, Sandie Lillingston, Helen Buday, Bob Hornery, Mark Spain (more)VOD (3)
Plots(1)
Mad Max is back, in this third film in the series about a violent and desolate post-apocalyptic world. This time, Max ventures into the city of Bartertown in order to retrieve some of his stolen goods. But Aunt Entity, the head of this mercenary hell, tells Max he can have his things back on one condition: he must fight to the death with a huge creature known as "The Blaster." Max agrees... but that's only the beginning of his wild adventures on the road. (official distributor synopsis)
(more)Videos (1)
Reviews (8)
This is certainly the weakest episode in the Mad Max series. It lacks the amazing car chases and the story is rather fragmentary. But still, the beginning when Max arrives in Bartertown is pretty well done and the final action sequence with the train is also quite impressive. And at the end, we get to take a look at Sydney. Slightly above mediocre.
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As much as I was impressed by the second installment, the third one was underwhelming, and it wasn’t Tina Turner's fault. Too many kids and shamefully little action and suspense. The Road Warrior certainly deserved a much better follow-up.
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The film needs to be seen as an development of myth, where we meet other characters, witness Max's attempt to become a gladiator, there is a city that could truly function as an apocalyptic version of a terrifying paradise - or a gentle hell - and finally, there is also an effort to evoke certain emotions. The confrontation of civilization with human wildness is incredibly strong here, but the story gets a bit lost in it, being overly focused on the effect at times. However, Mel with long hair is definitely still good.
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A big budget made a big film this time. The post-apocalyptic world is amazing. Not only the magnificent set design, but the overall feeling of the film is at the best possible level. Although Tina Turner is as good an actress as she is a singer (take that as you will) and the terribly politically correct themes such as the rescue of young children dampen the benevolence of viewers who loved the previous two films, there's nothing to do other than to enjoy every last grain of sand from the Nothing, a gripping spectacle that for once doesn't rely on cars (only to impress you with the breathtaking chase at the end) and also deals a little with the world around it. Mel Gibson successfully rivals a diamond in terms of overall toughness and I believe everything that he does. I can also safely say that underneath the Thunderdome clearly resides the best film in the franchise!
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A big shift towards the mainstream compared to the previous parts, also thanks to the participation of Tina Turner. Still, a properly wacky affair, during which I had quite a good time. Some scenes, like the fight in the arena with the chainsaws, were good, others less so (there was too much shit for my taste), overall a very decent sequel.
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