Black Widow

I was thrilled, about halfway through. Black Widow starts as an unexpectedly dark and adult comic book movie, presenting broken and hesitant heroes and heroines instead of jokes, and surprisingly gritty action that doesn't deny that the creators took inspiration from Jason Bourne and Mission: Impossible. It's also humorless, and for a while it felt like the most mature Marvel movie ever, unafraid of themes you wouldn't quite expect to find there. But then, somehow, it breaks. Halfway through, it's as if the makers decided that their audience probably doesn't actually crave something like this and went back to their old ways of playing it safe, give or take. Black Widow does even that well, and when you take away the not-so-good contact action scenes and the weaker Taskmaster, it's at least a solid job and an inoffensive Marvel average. It just felt a little too little when they went with a more mature yet fully functioning style in the first part. I don't want to make it sound like Black Widow is a bad movie. It's a well-done comic-book routine, but as a viewer, I'm not completely satisfied with that anymore. Especially when Scarlet Johansson and her crew managed to show me that they can do better. (07/08/2021)

After the earth-shattering Endgame, I was pretty much looking forward to being reunited with Natasha, so I warmly welcomed the feature-length Black Widow solo outing. In terms of the cast, it is very decent, with each of the four main actors in the right place, with satisfying supporting characters. Visually, the film showcases itself especially in the second half, which was full of brisk and nicely paced action, though there were a few over-the-top moments, which the viewer must take with a grain of salt in films like this. Screenwriting-wise, Black Widow is a slightly less layered piece compared to the MCU team-ups, but it still sets up some pretty surprising moments. I also praise the post-credit scene and am curious about the follow-up film. A weaker four stars! (07/18/2021)

Marvel has been just spinning the same formula for some time, and so is now trying to make up for their past with a lot of catching up to do, ripping off everything from The Bourne Identity to the underrated Bond movie On Her Majesty's Secret Service. All this is done in such a lackluster manner which is so bland and stupid that it is bound to disappoint die-hard fans of this superhero franchise. The screenplay is not as cheap and crappy as in Captain Marvel, yet it is still completely pointless and a lame bare popcorn movie. (07/14/2021)

The first half is great, it has a dark intro, raw, tight fights and great eye candy FX moments (the chimney scene, WOW!). I almost wouldn't be afraid to say that the first ten minutes not only form a decent backdrop for the origin of a character we don't really know much about, but it also has the emotional edge and directness that was so very good in Winter Soldier, for example. But once it swings into the second part, it becomes more of a comedy, because as it’s usual with comic-book films, few and far between don't go "check all the boxes" style – or rather, they have to please everyone. And so suddenly, the deadly serious-looking film becomes almost a merry-go-round, and it's completely buried from the higher rungs by the insanely over-the-top finale. Florence Pugh is the best, the characters are OK overall, just a bit messily put together. It still has the hallmarks of a bombastic high budget film, but in this version it could have come before the battle and not after. (07/12/2021)

Never trust doomsayers. A true blue Marvel movie, targeted at ladies, but not at all dumb. The introduction is awesome, dark and uncompromising, then it gets into the old rut, but the second half is more than just good too. Infantile humor made at the expense of Harvey Weinstein and tops it all with a family-flavor sauce made by Disney. The ending is strangely cut short (it lacks elimination of Ross or an explanation of whether or not it was Kapo who helped), but due it being set during the Civil War, that is more or less understandable. The biggest surprise the Widow holds is David Harbour and the whole over-the-top prison escape. We want a series spin-off with Crimson Dynamo! And Florence Pugh steals the whole show in the end. Such a poser. (07/12/2021)