Black Widow

After the earth-shattering Endgame, I was pretty much looking forward to being reunited with Natasha, so I warmly welcomed the feature-length Black Widow solo outing. In terms of the cast, it is very decent, with each of the four main actors in the right place, with satisfying supporting characters. Visually, the film showcases itself especially in the second half, which was full of brisk and nicely paced action, though there were a few over-the-top moments, which the viewer must take with a grain of salt in films like this. Screenwriting-wise, Black Widow is a slightly less layered piece compared to the MCU team-ups, but it still sets up some pretty surprising moments. I also praise the post-credit scene and am curious about the follow-up film. A weaker four stars! (07/18/2021)

Never trust doomsayers. A true blue Marvel movie, targeted at ladies, but not at all dumb. The introduction is awesome, dark and uncompromising, then it gets into the old rut, but the second half is more than just good too. Infantile humor made at the expense of Harvey Weinstein and tops it all with a family-flavor sauce made by Disney. The ending is strangely cut short (it lacks elimination of Ross or an explanation of whether or not it was Kapo who helped), but due it being set during the Civil War, that is more or less understandable. The biggest surprise the Widow holds is David Harbour and the whole over-the-top prison escape. We want a series spin-off with Crimson Dynamo! And Florence Pugh steals the whole show in the end. Such a poser. (07/12/2021)

After a two-year cinematic hiatus in the MCU, we got to see another Avengers solo film and I'm actually quite pleased. It might be the twenty-fourth time of basically the same thing, but in many ways it's still a very good mainstream production. A strong female element is very much present, but I can't say I mind that in any way. On the contrary, I think that the whole crew around Feige know how to work with those contemporary paradigms with due flair and grace. The first half delights with a very dark thriller atmosphere, which is appealingly reminiscent of the second and third Captain America films. Despite the top-notch action sequences, Black Widow doesn't avoid the expected schematic quality in its second half, where its initial cheesiness is replaced with the typical Marvel formula that ultimately places this solo effort in the broader MCU average. Which is certainly not a bad thing. [65%] (07/07/2021)

The first half is great, it has a dark intro, raw, tight fights and great eye candy FX moments (the chimney scene, WOW!). I almost wouldn't be afraid to say that the first ten minutes not only form a decent backdrop for the origin of a character we don't really know much about, but it also has the emotional edge and directness that was so very good in Winter Soldier, for example. But once it swings into the second part, it becomes more of a comedy, because as it’s usual with comic-book films, few and far between don't go "check all the boxes" style – or rather, they have to please everyone. And so suddenly, the deadly serious-looking film becomes almost a merry-go-round, and it's completely buried from the higher rungs by the insanely over-the-top finale. Florence Pugh is the best, the characters are OK overall, just a bit messily put together. It still has the hallmarks of a bombastic high budget film, but in this version it could have come before the battle and not after. (07/12/2021)

I'm sorry to say it, but this is the most useless Marvel movie for me so far. I don't feel like it contributed at all to the MCU - it was created simply because the fans wanted a Black Widow solo film (and to find out what was in Budapest so that there would be peace) and Scarlett Johansson after Endgame probably didn't mind either. It's such a wasted chance, the film stays in its lane from start to finish, and although the action scenes are pleasantly and deliberately exaggerated (it's no coincidence that Natasha is watching Moonraker) and the main characters and heroes seem even more indestructible than Jason Bourne or any Terminator, which makes sense when I couldn't form any relationship with most of the characters during that fast ride, and in the end I didn't care what happened to anyone. Unfortunately, this also applies to Taskmaster, who is suddenly just there, and according to the creators we should be afraid of him, but we can't be, because it is clear to us that this is not the type of film in which the villain could win or at least come to a draw. There are jokes in Whedon’s style, and you can forget about any tension. If Black Widow can bring anything to the MCU in the future, then perhaps only the return of Florence Pugh and David Harbour. They would both make me happy. But there was no need to tell this Black Widow story. (07/07/2021)