Crawl

Crawl gave me exactly what I expected from a horror about alligators, and maybe Alexandre Aja even slightly surpassed my expectations, because he created a really entertaining and action packed survival movie in which there is always something happening. In terms of the screenplay, it is not all that great, but whoever went through the filmography of the Rasmussen brothers in advance would not have been able to expect anything else, and if anyone had pointed out that most of the supporting characters in the movie are just there to be killed off, they would have been right, yet it simply does its job as an entertaining summer horror movie. It met my expectations as a great movie to wash away the stress of everyday life. After Piranha 3D, Aja was again able to make the most of the trashy subject matter and create solid and exciting entertainment. Also, having such a striking song over the end credits has been missing in the movies for a long time. (07/18/2019)

Shot in Serbia, this American film, two-thirds of which is set in the basement of an old house, is better than average. Despite its B-movie subject matter, it does not look cheap and offers very solid CGI with animals that do not appear to be digitally generated. Starting with the opening credits, director Alexandre Aja does not squander a single minute and constantly portions out information about the characters and the relationships between them, which later proves to be opportune (almost all of the characters and objects encountered by the female protagonist during the brisk exposition are utilised just as economically). The protagonists are not just walking hunks of meat for the alligators. We understand their motivations and cheer them on, and we comprehend where, despite all of the scars, they find in themselves the strength to grit their teeth and face danger. The overcoming of family trauma is skilfully connected with the eco-horror plot also thanks to the fact that the house where most of the events take place brings the heroine’s childhood, and thus her father’s failure, to light. Its flooding with water (thanks to which Halley can show what works best for her) and its gradual disintegration thus represents an inevitable part of “family therapy”. It is true that the story faulters during longer dialogues, the characters are far too clichéd and, given the R-rating, I would have expected more scenes in which alligators tear people to pieces, but when it reminds us in its entertaining and undemanding way that if we want to survive, we should mainly respect nature, then it works nicely. 65% (07/10/2019)

A suspenseful horror film about two heroes who find themselves trapped in a basement with hungry alligators during a hurricane. Clever and interesting characters, well built tension and some pretty gritty scenes make Crawl a very fine genre entertainment. Too bad it turns from horror to action B-movie at the end. (07/13/2019)

Nobody wanted Aja to make Jaws with a crocodile, but… This mess, which is neither serious and suspenseful enough to be, well, "serious", nor is it stupid and over-the-top enough to work at least as guilty pleasure (such moments are, unfortunately, very rare), is nothing more than a genre dullard seen hundreds of times without any charge, idea or adrenaline. (07/10/2019)

Crawl doesn't set out to be an animal horror film that in any way stands out from the ranks within its genre, but that's not to say that it's bland through and through. As far as the technical workmanship goes, the film features realistically rendered scenes with alligators that hardly look artificial at all. Unlike Alexandre Aja's Piranha 3D, there are no hectolitres of blood in this case and the film also focuses on family and the relationship between the daughter and the father. They could have toned down a bit on this relationship line and added more dark, horror scenes, though there were a few good scares. All that being said, this is a thrilling piece that will surely keep the inhabitants of the alligator areas away from waterlogged places for some time, and which I would compare in quality to 2016's The Shallows. (07/14/2019)