Chernobyl

I'd be even happier if the series would be cast with less prominent stars. After all, Stellan Skarsgård is already unmistakable, Emily Watson's face also gives a hint in advance what kind of heroine her nuclear physicist will be (whether positive or negative), and Barry Keoghan, for example, has never made anything normal, so his presence alone implies certain associations. I would add to this criticism with a few obvious screenwriting crutches: It was as if the recruitment of the miners was taken from a classic western and a few other scenes were very much in the style of the American way of life and their understanding of law and morality. But these are all small things that have no chance to jeopardize an otherwise excellent whole. I myself belong to the Chernobyl generation and the vague news of what happened accompanied my entire childhood. I thus very much welcome the opportunity to experience five HBO-produced episodes on the theme of reconstructing the events and stories of the people immediately surrounding the disaster. I like the idea of just hinting at some key events in the first episode and only explaining them in the lavish conclusion. I also appreciate the individual story of the woman firefighter who lived through the whole tragedy, but above all also survived. And while I had hoped that the intrepid nuclear physicist might not be a piece of fiction, on the other hand, I understand that such knowledge and courage in real life does not belong to a single person. Chernobyl is an important event and if the Russians come up with their own version, I will be there to see it. (06/14/2019)

The Chernobyl series is considered by many TV series fans and journalists to be the event of the year, and they spare no praise for the work of Craig Mazin as a screenwriter and Johan Renck as a director. I am not going to ride on freely exalted enthusiasm, we have plenty of others for that. I'm not afraid to say that it is an impressive work and above-average spectacle, but that can be expected from HBO and its immense potential, where the dominant role is played by the catastrophe itself, with a great probability. Nevertheless, some aspects of the project seem somewhat schematic, exaggeratedly dramatized, played for effect, and do not correspond to the situation (the fact that I am a professional in the field also plays a role, and details that a layman easily overlooks disturb me). I have a definite opinion about some of the characters. I perceive them differently than how they are served to us by the series creators - see the character of Dyatlov - that guy was indeed an arrogant bastard, but also a fighter, and his defense and arguments were completely different. Although admiration is expressed for how perfectly the series imitates the Soviet reality, in my opinion, it is limited to visually depicting the environment, and I think that poverty and dilapidation are emphasized too much. Nuclear workers were among the privileged elite and Pripyat was a new and glamorous city of the regime. The spirit of the time, the position of the players in the story in the Soviet present, and their awareness of their own possibilities were different. Sometimes, unbelievably naive dialogues can be heard, instructive for today's, let's be openly honest, Western viewers of the series.  "Heartbreaking" sentimental scenes of the "execution" of cute puppies are also filmed for them, which also sounds quite funny to those who know. Do you have any idea how the selection of boars during the threat of swine fever, the reduction of pigeons in cities, or ducks in reservations, or the mass slaughter of herds when suspected of salivation, take place? Some elements are exaggeratedly emphasized, while others, which are much more interesting, are not explored. Generally, I have a feeling that five episodes were too few, and most of the characters with tremendous potential just passed by in the series and the viewer has no chance to develop a proper relationship with them. For me, my overall impression is still 80%, taking into account that I found my own thing in it, and a lot of what bothers me, I attribute to the effort to tailor the project to the taste of the target audience. (06/03/2019)

Once again, HBO gave us their absolute best and introduced the viewers to an elaborate adaptation of the most significant nuclear catastrophe to ever happen on Earth. And even though they didn’t cover everything they could have in 5 episodes, they covered everything they needed so they could sell the idea and pass something on at the same time – the repulsiveness of the Soviet regime but also the proof that humanity and heroism exist everywhere. The first two episodes were probably the most important for me, the creators shocked me with the exteriors, which gave me the impression that the crew actually left for Pripyat and filmed theseries about the catastrophe there. The finale is very crucial as well; it shows what the Soviet regime was capable of doing to not only ordinary people but also intellectuals. After all of that, I am not at all surprised that Gorbachev said in the 1990s that Chernobyl was the fatal consequence of the fall of the Soviet Union. What they did there only underscores the whole effect of communism in Russia of the period, where the local “elite” thought they could do whatever they wanted and God in turn showed them that it wasn’t entirely true. Thankfully this didn’t mean the demise of all of us, it was “only” a warning concerning what we are doing wrong in the world. The fact that we are unable to learn our lessonis another matter. However, this is one of the reasons why the series is so important, which is why it is good to see, perceive, and experience it until the very end. The absolute best of this year’s series and in terms of the HBO production, it is the best that could have been created. Precise, accurate, and apt. (06/11/2019)

This is an event. The initial puzzlement has a quick half-life, as those disembodied moments eventually stand out more than the tangible pressure. It’s a screenwriting university on how to handle the "based on a true story" license while staying in observation mode. It’s a perfect study of human arrogance, lack of humility, and unwillingness to face the truth. A live broadcast of lies that has been coming to us for over thirty years. With all due respect to all the criticisms, the hype is well deserved. (06/05/2019)

Undeniably quality TV, which is almost impossible to follow with both an emotional and a rational perspective. As the number of episodes increases, the frustration factor is fanned from an enflamed injustice to almost a burning anger over all the cruel wrongs and resulting suffering. Because of this, I can't give it a fifth star on principle, even though the phenomenal Stellan Skarsgård deserves it with every (un)blinking look. (08/27/2019)