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Twelve strangers wake up in a clearing. They don’t know where they are, or how they got there. They don't know they’ve been chosen… for a very specific purpose… The Hunt. In the shadow of a dark internet conspiracy theory, a group of elites gathers for the very first time at a remote Manor House to hunt ordinary Americans for sport. But the elites’ master plan is about to be derailed because one of The Hunted, Crystal, knows The Hunters’ game better than they do. She turns the tables on the killers, picking them off, one by one, as she makes her way toward the mysterious woman at the center of it all. (Universal Pictures US)

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POMO 

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English The Hunt is cross-genre bullshit that aims to please by going against the grain, but it ends up being just an action-revenge B-movie with comical brutality. However, the actress in the lead role is uniquely atypical. The most typical genre characters deliberately come in with a roar in the first few minutes so that the film is surprising in its exposition, setting the viewer up for a fresh experience, which may or may not suit you. ()

lamps 

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English The first half is a nice and unpredictable semi-parody that relies on the audience’s familiarity with the rules of the genre, but it’s not afraid to overturn them for fun (and it doesn’t feel inappropriate). In the second half, after the most important cards have been revealed, the film falls into its own mirror and, despite the persisting quality of the craftsmanship and the insight, it can no longer surprise. The heroine is convincingly badass, but Hilary Swank’s attractive character (metaphorically and literally) had some more potential and I would have liked a bolder ending, given the concept of rewriting the expectations. Overall, though, it’s surprisingly good. 65% ()

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Stanislaus 

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English We've already had manhunting as a "hobby for the elite", but The Hunt takes this theme from a slightly different perspective. The film offers plenty of black-humour scenes and a pretty solid unpredictability – you really don't know who will die, when and how, which is a big plus. On the whole, I was bothered by the passages with too much talking that unnecessarily stretched out the running time. The Hunt is one of those films where I can understand any rating. Otherwise, Betty Gilpin pushed the envelope a little too hard at times with her bad-ass-look, whatever. ()

MrHlad 

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English I hate movies where the director sits there in awe and says that everyone on the screen is a moron and that's why we're going to laugh at them. This isn't smart satire, it's the movie version of a Facebook discussion with conservatives and liberals arguing; all the smart people have left and now someone comes along and feels they have to tell the rest they're morons. By the way, besides the final fight, it's pretty uninteresting. ()

Necrotongue 

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English I have no idea why horror is listed as one of the film's genres. Black comedy fits much better. Anyway, I had fun while wading through all that blood, and I don't care what it says about me. After all, when the Americans are able to make fun of all their taboo topics once every ten years, I’m ecstatic about how different it is from the constantly celebrated patriotism, riding on a giant wave of pathos. What's more, I loved Crystal’s approach, and I still have to think about how frustrating it must be when you're talking to someone whose head (or at least a substantial part of it) is gone all of a sudden. The film definitely deserves to have a higher rating. ()

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