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John McClane takes on an Internet-based terrorist organization who is systematically shutting down the United States. (20th Century Fox)

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Lima 

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English The nightmare of every IT specialist, or rather, the best comedy of their lives, depending on how you look at it. Wiseman totally blew it. It's definitely an above average action film, but that's about it unfortunately. If I were a hardcore fan of the Die Hard franchise, I’d wonder where are the cynical, dry wisecracks typical of John McClane, and where are the plot twists that worked so well in the second and third films. Wiseman's film is closest to the first in its directness, but unlike it, it lacks tension, because Willis has a skeleton made of titanium and wouldn't be stopped even if a Boeing fell on him. In other words, the almost comic-book exaggeration kills the movie. This is especially true of McClane's adversaries, a dashing guy, undoubtedly Spider-Man's older brother, who falls 10 metres from a helicopter onto concrete and it's all good. But that's nothing against Maggie Q – you can punch her several times with your fist (without breaking her make-up), slam her against the wall several times (her make-up still sticks) and then hit her with a car at full speed and she won't even flinch and will still kick your ass. Sorry, Wiseman, but I'm not interested in Aeon Flux 2, I'm getting a bit bored of these feminist superheroes. ()

Isherwood 

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English The fact that Wiseman is an enthusiastic filmmaker who has a lot of experience with action films and then only proves on screen what wonders can be done with a big budget doesn't bother me all that much. What bothers me is that he completely misunderstands the poetics of Die Hard, especially McLane’s character, whose tragic cop with a touch of sad comic relief has become the killing machine that dominated cinema 25 years ago and whose renaissance McLane created as an action hero. Overall, I find the concept of digital terrorism juxtaposed with a 1980s hero rather dull, given that political correctness and pandering to American politics of today are at play. Willis is good at being a tough guy, but the rating tames his vocabulary and character, so the result is ultimately (from my perspective) an expected loss. Die Hard itself didn't deserve this kind of eating of its own stupidity through non-stop action. McTiernan should have got the last crack at it - it couldn't have ended up worse than this. ()

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DaViD´82 

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English "Yippie-ki-yay, motherfu..." A solid action picture? You bet it is. But isn’t it a little too little, in view of the quality that the previous parts had to offer? Not really, no... One year short of the twentieth anniversary of the release of Die Hard, we get part four. And although, in order to get a lower rating, John McClane has gone a little soft, due to his age he wears a hoody instead of an undershirt and in the action scenes he gets a lot of help from the editor, he continues successfully to reel out great lines, shoot, bleed, get a good kicking and flatten everybody like a road-roller in the end. It’s surprising that Len Wiseman, who until now hasn’t manged to film even a mediocre movie, has pulled himself together at last. It’s true, that it’s a bit creaky in places, the screenplay is dumb (especially on the technical side), the end way over the top and camera filters just everywhere... But somewhere deep down under everything you can clearly feel the spirit of the good old Die Hards. It all rattles along nicely, action making way for more action, not many dead moments, John’s little helper doesn’t matter at all (quite the opposite), the action sequences are mostly inventive and the baddies are excellent. Especially the charismatic and nicely flaunty Maggie Q. What more could you want from a summer action blockbuster that turn off your brain and let yourself get sucked in by the return of one of the action legends of the silver screen? Even all these years later this series has managed to maintain its high standard in terms of quality, but it is dragged back from the very top rung by a sequence lasting less than ten minutes with John in a semi truck on a freeway intersection versus a fighter jet. Something that looks like an upgraded version of a notoriously ridiculous scene from the B-grade Rambo III look even worse in the middle of this A-grade action movie. On the other hand, the very end of the movie is very satisfying when the main villain performed nicely by Timothy Olyphant goes out in style. Many of us were hoping, few of us really believed it would happen, but it did. This isn’t the best of the Die Hards - it’s the worst, but it’s still above-average good, although it turned John into precisely what made him different from all the other action heroes. We can at least be pleased for that. If for no other reason then because we aren’t often treated to good old eighties-nineties style action pictures very often any more. If things carry on as they have been, we’ll be getting part twelve in a couple of years’ time. ()

novoten 

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English Poor John McTiernan will have to come to terms with the fact that his cult classic original and groundbreaking third installment will remain in the shadow of the fantastic even-numbered films. When I once read in an interview with Willis that the screenwriters drew inspiration from the TV series 24, I had no idea that I would witness almost its feature-length version. McClane has problems with his daughter, he advances in eliminating the villains almost exactly according to their hierarchy - and he is such an amazing action hero that I couldn't help but stare. And after the tired third installment, I expected everything but this. I was looking for a lot of humor and fan nods in the fourth trap, but I also got John as an indestructible dinosaur who beats up women without hesitation and swears at them with all his might. And the viewer feels the desire to cheer out loud. The threat this time is perfectly terrifying and chilling at certain moments. Olyphant adds to this with his delightful performance, his sarcastic remarks full of anger raised my adrenaline, and when he tells McClane that he will destroy his life and kill his loved ones, I instinctively cowered in my seat. Moreover, the connection between the old fox and the young, restrained rebel works, everything is as it should be. Although there are occasionally overly calm moments in those two hours, I still have to convert those 90% into five stars. This matador will not be ashamed of his comeback. ()

gudaulin 

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English On the occasion of Live Free or Die Hard, the 4th film in the series, a brief recap is necessary. In the first part, John McClane saves a group of people in a high-rise building, in the second part, several thousand people at an airport, in the third part, the inhabitants of a metropolis, and in the fourth part, the entire United States. If a hypothetical fifth part were to be made, the brave policeman would undoubtedly save the whole world. From this list, it is evident that this series fulfills all the rules for a sequel, namely a larger budget, bombast, and more action. The fourth installment is certainly not a bad film, but I dare to say that, from a cinematic point of view, it is the weakest of all four and it clearly shows the producers' calculation. It lacks the rawness of the first part, a certain perspective and self-irony, which is replaced by the work of special effects artists and pyrotechnicians. The exaggeration that has always been characteristic of the series here leads to counterproductive absurdity, as seen in McClane's victorious battle with a fighter plane. It is also evident that the work of the screenwriter is more careless, as some of the fights exude a certain B-movie quality, as seen in McClane's confrontation with Maggie Q in the power plant control room, where both opponents take care of each other and then ignore him, only to miraculously revive him shortly after, exactly in the style of clichés from poorly made films. The main villain is also less charismatic than his predecessors, especially the incomparable Alan Rickman. The film has the advantage of Bruce Willis's excellent performance, who shows almost no signs of aging. Fans of the alternative scene will be pleased with the small role of Kevin Smith, who in my opinion should seriously consider going on a diet... Overall impression: 70%. ()

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