Angel Heart

The jazz-filled atmosphere of Noir York as a perfect introduction and the disturbing voodoo flood as a strongly negative contrast. With mysterious thrillers, I simply expect more balance, and the crescendoing punctuation, as impressive and perfectly precise as it may be, is not enough for me. The perfectly stylized depression loses narrowly to the unnecessarily overdone Louisiana. 70% (12/21/2009)

Excellent psycho thriller on the border of horror and noir detective with top-notch cast and professional smart direction. Besides the movie Omen, my favorite film with satanic theme. Dark atmosphere created mainly by innovative excellent camera, with typical views of the night streets lashed by rain. The movie features a lot of voodoo ritual elements, and over time, it practically doesn't lose anything, unlike many other titles, it adds to the quality of this film. Probably Mickey Rourke's best performance in his career so far. Angel Heart is a film about how the protagonist descends into hell and touches the very bottom of his mental and physical strength by accepting one job. Overall impression: 95%. (06/30/2007)

Mickey Rourke is OK and easily carries the entire film on his shoulders, while the investigation is quite interesting with an atmosphere matching the best crime thrillers. And yet, I can’t rate it higher than what you see. The script, as it has been mentioned here several times, failed to reach me, to draw me into the plot or to shock me in any significant way. And the ending, full of supernatural and mysticism, was okay from the director's point of view and, like a few other scenes from this film, uncompromisingly and thrillingly delivered, but it rather spoiled the whole view of the film for me. That said, a very decent thriller and a must for the fans of the genre. (07/19/2011)

Alan Parker lent his unmistakable, darkly depressing signature to the film, which is teeming with mysterious religious practices, strange deaths, and, last but not least, "strange" people. The rawness of the ritualistic murders, depicted without any sugarcoating, and sparing no artificial blood, is definitely not gratuitous but rather serves as a means to bring closure to the captivating plot for the audience. The film is filled with tension, captivation, and, last but not least, a "pleasant" surprise at the end. Mickey Rourke's striking performance unfortunately pales in comparison to the minimal yet emotionally powerful portrayal by Robert De Niro, who, with his full beard, long nails, hair in a bun, and a cane in hand, looks like... Unreserved satisfaction. (09/25/2005)

A devilish film that lacks a little more audience appeal and dynamism for my taste. However, Alan Parker does a spectacular job, he perfectly builds the atmosphere, skillfully manages the lighting, and keeps the viewer in suspense throughout, leaving you unsure of what will happen in the next five minutes. The script is good enough (perhaps a bit too convoluted) and culminates in a shocking twist, which thankfully really works. (09/25/2005)