Troy

Troy is definitely not bad and it has everything that a big-budget production can offer: young and attractive actors, solid war scenes and somewhat decent romance. Above all, it benefits from the stunning Iliad, although unfortunately it only took the rough skeleton and some essential events from it. The notable drawbacks are Diane Kruger and Orlando Bloom, who seem like advertising mannequins – completely unbelievable. On the other hand, Brad Pitt and Eric Bana are surprising. Wolfgang Petersen is more than a decent craftsman who can handle large budgets and thousands of extras. The ending is powerful and the voice-overs are extremely stylish and suitable for this type of film. It's necessary to see the Director's cut, it has gripping bloody battles and at least half a star up. (05/24/2004)

In the past, this epic Homeric soap opera was enough to make me ecstatic, but times have changed. Troy looks gorgeous, has sequences that can be replayed to the point of insanity, and an unprecedentedly bloated and luxurious cast (except for Legolas, who’s awful again), but the film overestimates itself. While Petersen has confirmed many times that he’s a very capable director, here he has completely forgotten to provide any cohesive parallel developments that would keep the viewer's attention focused for two and a half hours and build the whole mythical conflict up to a scale of fatality higher than the staid Pearl Harbor-type level. The truly impressive adrenaline-packed sequences are interspersed with dull to uninteresting ones, which establish and develop relationships between characters of no importance to the main plot (and this despite the fact that the characters themselves are great – the narcissistic Pitt is brilliant, the chivalrous Bana is an exemplary good guy, Brian Cox is a sleazy villain, and Sean Bean should have been given his own sequel as the likeable Ulysses –  I'll never forgive Hollywood for that). Taken together, it stands as a beautifully made spectacle for the cinema, but its soul is as empty as the stomachs of Somali children, despite its grandeur. 65% (05/06/2018)

A sugary parade of stars and spectacular fight scenes. The actors are decent and the production design is nice. The fight between Achilles and Hector may be the best I have seen in the genre, though that’s debatable. Troy doesn’t have even a fraction of the charm of William Wyler’s films and is nothing more than a calculated, technically brilliant popcorn flick. (05/13/2004)

An ambitious epic that stumbles over its miserable screenplay and idealess directing. A tirade of mediocre scenes and seeming ignorance of the myth make Troy an uninteresting attempt at a great movie which is closer to being a big studio sword-and-sandal Cecil B. DeMille epic than a modern movie intended for the big screen. ♫ OST score: 2/5 (01/29/2007)

Troy is notable primarily as a case study on how Hollywood adapts a classic work with countless characters, motifs and both supernatural and earthbound elements into the form of a spectacular mainstream popcorn epic needing fewer characters, a few cleanly resolved storylines and, mainly, the omission of everything that could be off-putting for the supposed majority of viewers, i.e. everything from deities to non-heterosexual relationships. (09/14/2023)